{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O33481"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O33481/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GG4672/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GG4672/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GG4672","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AW2254","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O33481/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O33481","accessionNumber":"E.12976-1886","objectType":"Woodblock print","titles":[{"title":"The Tactic of Meeting Up at a Tea House","type":"assigned by artist"},{"title":"Forty-eight Tactics of the Floating World","type":"series title"}],"summaryDescription":"Woodblock prints such as this were produced in large numbers in 18th- and 19th-century Japan. This print was published in the early 1800s, by which time the techniques of full-colour printing had been perfected. Prints such as this are called <i>ukiyo-e</i>, which means 'pictures of the floating world’. This world was one of transient delights and changing fashions centred on the licensed pleasure districts and popular theatres found in the major cities of Japan.\r\n\r\nThis print is taken from a series examining 'forty-eight tactics of the Floating World'. The two women seem to be sharing a secret; perhaps the woman in the foreground (whose blackened teeth and shaved eyebrows indicate that she is married) has told the woman in the background that her lover is waiting for her in a tea shop. Images of beautiful women like this served as guides to and souvenirs of the faces and changing hair- and dress-styles of the women who worked in the pleasure quarters.","physicalDescription":"Woodblock print. Ōban format, nishiki-e (full-colour print). Portrait of two figures on plain ground. \n","artistMakerPerson":[{"name":{"text":"Keisai Eisen","id":"A6849"},"association":{"text":"designer","id":"AAT25190"},"note":""},{"name":{"text":"Matsumura Tatsuemon","id":"A3322"},"association":{"text":"publisher","id":"AAT25574"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"woodcutting","id":"AAT53296"},{"text":"woodblock print","id":"x38448"}],"materialsAndTechniques":"Colour print from wood blocks","categories":[{"text":"Images Online","id":"THES48937"}],"styles":[{"text":"Edo","id":"AAT106643"},{"text":"Ukiyo-e","id":"AAT106769"}],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2013GG4672","2006AW2254"],"imageResolution":"high","galleryLocations":[{"current":{"text":"003","id":"THES393798"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Woodblock print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Japan","id":"x29399"},"association":{"text":"published","id":"x30682"},"note":""},{"place":{"text":"Edo","id":"x32430"},"association":{"text":"published","id":"x30682"},"note":""}],"productionDates":[{"date":{"text":"1818-1821","earliest":"1818-01-01","latest":"1821-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"386","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"260","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Ukiyo shijūhatte\n","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"Forty-eight Tactics of the Floating World\n","transliteration":"","type":"series title","note":"Series title"},{"content":"Chaya ni matsu yakusoku no te ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"The Tactic of Meeting Up at a Tea House","transliteration":"","type":"","note":"Picture title"},{"content":"Keisai Eisen ga","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"Designed by Keisai Eisen","transliteration":"","type":"","note":"Signature"}],"objectHistory":"Purchased from S. M. Franck & Co., accessioned in 1886. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.","historicalContext":"","briefDescription":"Woodblock print, <i>The Tactic of Meeting Up at a Tea House,</i> from the series <i>Forty-eight Tactics of the Floating World,</i> by Keisai Eisen (1790-1848), Edo (Tokyo), 1818-21","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"figures","id":"AAT189808"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The lower lips of these young women shimmer with green. This effect, called <i>sasairo beni</i> (‘bamboo-coloured rouge’), was a popular make-up trend in Edo (Tokyo), Kyoto and Osaka in the 1810s to 1830s. <i>Sasairo beni</i> required heavy layering of costly beni rouge and so was affordable only to a wealthy few. Women of lower social status imitated the fashionable look by layering black ink underneath a scant sweep of rouge.","date":{"text":"31/5/2022","earliest":"2022-05-31","latest":"2022-05-31"}}],"partNumbers":["E.12976-1886"],"accessionNumberNum":"12976","accessionNumberPrefix":"E","accessionYear":1886,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LN5413","2019LR6566","2019LT3145","2019LW8113"],"recordModificationDate":"2025-04-22","recordCreationDate":"2000-03-05","availableToBook":false}}