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Part of the screen was assigned to the Circulation dept. (note on register)","historicalContext":"Comparable woodwork\r\nPair of doors from a rood-screen (Exeter City Museums 20/1994), in Richard Marks and Paul Williamson (eds.), Gothic - Art for England, 1400 - 1547. (London, V & A Publications, 2003), no. 265\n\nSee also, Spike Bucklow, Richard Marks and Lucy Wrapson (Eds.), The Art and Science of  the Church Screen in Medieval Europe (2017).","briefDescription":"Portion of a rood screen; English, 1475-1500, from Bishop's Palace, Exeter ","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Charles Tracy, English Medieval Furniture and Woodwork (London, 1988), cat. no. 97.\r\n'PORTION of a SCREEN, consisting of a pair of doors, together forming an arch; the lower part of each door is enclosed by panels decorated with applied tracery, the upper part has two open lights separated by a shaft into compartments headed by cusped and moulded tracery. Fitted with iron hinges and latch. The surface of the wood covered with brown paint. Typical of the screenwork of the district round Exeter (PL.39).\r\nFrom a Devonshire church\r\nOak. Late 15th century\r\n193 X 96.5 X 11.8 cm\r\nMus. No. 118.1865\r\nThese must have been the doors of a rood-screen which was probably fan-vaulted. See Mus. No. 118B.1865.'\r\n"},{"reference":{"text":"","id":""},"details":"","free":"CESCINSKY, Herbert & Ernest Gribble: Early English Furniture & Woodwork. Vols. I & II. (London, 1922) Chapter VI p.165, fig. 136\r\n\"said to have come from a former Bishop's Palace at Exeter, but, obviously, belonging to a church screen, do not need any reference to a place of origin to stamp them as Devonshire work. A comparison of this illustration with the Atherington screen, fig. 133, will show an identify of design in the two examples"},{"reference":{"text":"","id":""},"details":"","free":"John Hungerford Pollen, revised Lehfeldt, TA: Victoria and Albert Museum. 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