{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O318616"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O318616/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014HB3890/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014HB3890/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2014HB3890","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2011FB8638","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O318616/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O318616","accessionNumber":"T.1-1940","objectType":"Burse panel","titles":[],"summaryDescription":"","physicalDescription":"Embroidered panel depicting the Annunciation. Silk on red velvet, worked in split stitch, with underside couched metal thread.","artistMakerPerson":[{"name":{"text":"unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"silk (textile)","id":"AAT243428"},{"text":"silk thread","id":"x30127"},{"text":"metal thread","id":"x30421"}],"techniques":[{"text":"embroidering","id":"AAT53653"}],"materialsAndTechniques":"Embroidered with silver-gilt and silver thread and coloured silks in underside couching and split stitch, with a little raised work, on silk velvet with an interlayer of silk in plain weave.","categories":[{"text":"Ecclesiastical textiles","id":"THES48962"},{"text":"Religion","id":"THES48900"},{"text":"Christianity","id":"THES48978"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2014HB3890","2011FB8638"],"imageResolution":"high","galleryLocations":[{"current":{"text":"014","id":"THES311494"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Burse panel","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1335-45","earliest":"1335-01-01","latest":"1345-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"T.2-1940","id":"O15365"},"association":"Set"}],"creditLine":"Bequeathed by C B O Clarke","dimensions":[{"dimension":"Height","value":"29","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"maximum","note":""},{"dimension":"Width","value":"22.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"maximum","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"From the collection of Lady Gibson Carmichael, Miss G. Clarke, by 1936; bequeathed to the V&A by C. B. O. Clarke, 1940.\r\n\r\n","historicalContext":"Because of their size and square shape and the use of a barbed quatrefoil design as a framing device for the embroidery, these two panels have usually been described as the sides of a burse. Documentary evidence in inventories confirms that burses were decorated with a variety of images, not only focusing on Eucharistic themes, but also – as in this example – showing Marian scenes and saints.","briefDescription":"embroidered, 1335-45, English; The Annunciation","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>Exhibition of English Embroidery Executed prior to the Middle of the XVI Century,</i> exhibition catalogue, London, Burlington Fine Arts Club. London, 1905, p.81, pl.29"},{"reference":{"text":"","id":""},"details":"","free":"Christie, Grace,<i> English Medieval Embroidery: A Brief Survey of English Embroidery dating from the Beginning of the Tenth Century until the End of the Fourteenth.</i> Oxford, 1938, p.175, pls 135, 136, cat. no. 93."},{"reference":{"text":"","id":""},"details":"","free":"Symonds and Preece, <i>Needlework through the Ages</i>, 1928, pl.31"},{"reference":{"text":"","id":""},"details":"","free":"<i>Exhibition of English Mediaeval Art</i>, exhibition catalogue, London, Victoria and Albert Museum, London, 1930, cat. nos. 114a and 114b"},{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of an Exhibition of Gothic Art in Europe (c.1200–c.1500)</i>, exhibition catalogue, London, Burlington Fine Arts Club. London, 1936, cat. nos. 67, 69."},{"reference":{"text":"","id":""},"details":"","free":"King, Donald, <i>Opus Anglicanum: English Medieval Embroidery</i>, exhibition catalogue, London, Victoria and Albert Museum. London, 1963, cat. no. 72"},{"reference":{"text":"","id":""},"details":"","free":"Browne, Clare; Davies, Glyn; Michael, M.A.,<i> English Medieval Embroidery: Opus Anglicanum</i>, exhibition catalogue, London, Victoria and Albert Museum (London, 2016), p. 224, cat. no. 56"},{"reference":{"text":"","id":""},"details":"","free":"Monnas, Lisa, <i>Renaissance Velvets</i>, London, 2012, pp. 8, 14-15."}],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"The panel depicts the Annunciation, with the Angel Gabriel holding a scroll inscribed ave maria, and the Holy Spirit in the form of a dove descending towards the Virgin Mary. The figures\r\nare enclosed within barbed quatrefoils.","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Gabriel Archangel","id":"N491"},{"text":"Virgin Mary","id":"N480"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[{"text":"The Annunciation","id":"V449"}],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["T.1-1940"],"accessionNumberNum":"1","accessionNumberPrefix":"T","accessionYear":1940,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-22","recordCreationDate":"2009-06-24","availableToBook":true}}