{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O314486"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O314486/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017JY0181/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017JY0181/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017JY0181","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O314486/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O314486","accessionNumber":"7810-1862","objectType":"Relief","titles":[{"title":"The Virgin and Child","type":"generic title"}],"summaryDescription":"Images of the Virgin and Child were found in virtually every noble household in 15th-century Florence. They acted as a focus for personal devotion and were thought to protect the family from harm. \r\n\r\nImages of the Virgin and Child were believed to have talismatic and protective properties. Some compositions, particularly those associated with miracle-working images, became very popular and were widely reproduced.\r\n\r\nAntonio Rosselino (1427-28 - 1479) was the brother of Bernardo Rossellino, from whom he possibly received his first formal training. He was of the same generation of sculptors as Desiderio da Settignano and Mino da Fiesole and his stylistic approach resembles that of those sculptors rather then that of his brother.","physicalDescription":"This panel relief shows the Virgin in three-quarter length turned to the right, seated on a chair the near arm of which appears in the lower left corner of the relief. she holds the Child on her left arm. Behind is a garland suspended from two rings in the upper corners of the relief.","artistMakerPerson":[{"name":{"text":"Rossellino, Antonio","id":"A1970"},"association":{"text":"sculptor","id":"x43862"},"note":"after"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"stucco","id":"AAT14966"}],"techniques":[{"text":"relief","id":"AAT53622"}],"materialsAndTechniques":"Stucco in relief","categories":[{"text":"Christianity","id":"THES48978"},{"text":"Religion","id":"THES48900"},{"text":"Sculpture","id":"THES48896"},{"text":"Reliefs","id":"THES49035"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2017JY0181"],"imageResolution":"high","galleryLocations":[{"current":{"text":"003","id":"THES396366"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Relief","id":""}],[{"text":"Panel","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Florence","id":"x28848"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"first half of 15th century","earliest":"1400-01-01","latest":"1450-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"61","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"50.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased in Florence, £3 in 1862.","historicalContext":"","briefDescription":"Panel relief, stucco, the Virgin and Child, school of Antonio Rossellino, Italy (Florence), first half of 15th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Inventory of Art Objects Acquired in the Year 1862. <u>In</u>: <u>Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I</u>. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 15"},{"reference":{"text":"","id":""},"details":"","free":"Maclagan, Eric and Longhurst, Margaret H. <u>Catalogue of Italian Sculpture. Text</u>. London: Victoria and Albert Museum, 1932, p. 39"},{"reference":{"text":"","id":""},"details":"","free":"Pope-Hennessy, John. <u>Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century</u>. London: Her Majesty's Stationery Office, 1964, pp. 133, 134"},{"reference":{"text":"","id":""},"details":"","free":"Middeldorf, Ulrich. 'Some Florentine Printed Madonna Reliefs'. In: Steadman Sheard, Wendy and Paoletti, John T., eds, <u>Collaboration in Italian Renaissance Art</u>, New Haven and London, 1978, pp. 78, 80, 83,  note 20, 84 note 33."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Virgin and Child","id":"N4691"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"chair","id":"AAT37772"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["7810-1862"],"accessionNumberNum":"7810","accessionNumberPrefix":"","accessionYear":1862,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-22","recordCreationDate":"2009-06-24","availableToBook":false}}