{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O312940"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O312940/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE5048/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE5048/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE5048","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O312940/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O312940","accessionNumber":"A.4-1975","objectType":"Relief","titles":[{"title":"Orpheus playing to the animals","type":""}],"summaryDescription":"This relief has been identified as the work of Francesco Fanelli, a Florentine who worked for a time in London as a sculptor to King Charles I. The relief appears to have been designed for mounting on the central door of a cabinet. Another version of this relief is mounted on the inside of the door of the Florentine mid- 17th century cabinet which was made for the diarist John Evelyn, which is also in the museum collections.","physicalDescription":"A bronze relief depicting Orpheus standing, playing his lyre and singing. He is surrounded by various animals. Behind him is a lush tree. ","artistMakerPerson":[{"name":{"text":"Fanelli, Francesco","id":"A8376"},"association":{"text":"Sculptor","id":"x43862"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"bronze","id":"AAT10957"}],"techniques":[],"materialsAndTechniques":"Bronze relief, lost-wax casting. ","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Reliefs","id":"THES49035"},{"text":"Bronze","id":"THES49033"},{"text":"Animals and Wildlife","id":"THES250852"},{"text":"Myths & Legends","id":"THES49005"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AE5048"],"imageResolution":"high","galleryLocations":[{"current":{"text":"117","id":"THES49906"},"free":"","case":"1","shelf":"","box":""},{"current":{"text":"003","id":"THES395179"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"relief","id":"AAT53622"}],[{"text":"Backboard","id":""}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"Made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1640","earliest":"1635-01-01","latest":"1644-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[{"object":{"text":"W.24:1-1977","id":"O9058"},"association":""}],"creditLine":"Purchased with funds from the John Webb Trust and the bequest of Captain H B Murray.","dimensions":[{"dimension":"Height","value":"22.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"12.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased with funds from the Webb and Murray bequests.","historicalContext":"This relief was possibly in the collection of Charles Jenners, Ormond St (cf. Dodsley 1761). \r\n\r\nFrancesco Fanelli, although described as Florentine, is first documented as working in Genoa in 1609/10 and again in 1620 and 1627. He came to England shortly afterwards, possibly in 1631and was working for Charles I by 1635. In 1640 he described himself as 'Sculptor to the King of Great Britain', presumably an officially conferred title.","briefDescription":"Relief, Orpheus Playing to the Animals, bronze, by Francesco Fanelli (1577-after 1641), Anglo-Italian, England (London), 1640 circa.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Anthony Radcliffe, Peter Thornton, ‘John Evelyn’s Cabinet’,<i> The Connoisseur</i>, 197, 794, 1978, pp. 254-62.  "},{"reference":{"text":"","id":""},"details":"","free":"Mary Webster, ‘Taste of an Augustan Collector. The Collection of Doctor Richard Mead I’, <i>Country Life</i>, 29 Jan. 1971, pp. 249-251. "},{"reference":{"text":"","id":""},"details":"","free":"John Pope-Hennessy, 'Some Bronze Statuettes by Francesco Fanelli', <i>The Burlington Magazine</i>, XCV, May 1953, pp. 156-62."},{"reference":{"text":"","id":""},"details":"","free":"Dodsley, J and R. <i>London and its environs described</u>, vol. 5, London 1761, p. 96."},{"reference":{"text":"","id":""},"details":"","free":"<i>Museum Maedianum. A catalogue of the genuine and entire collection of valuable gems, bronzes marble and other busts and antiquities of the late Dr. Richard Mead</i>, London, Tuesday, 11 March 1755, p. 2.  "}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Orpheus","id":"N98"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.4-1975","A.4:2-1975"],"accessionNumberNum":"4","accessionNumberPrefix":"A","accessionYear":1975,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE","Relief Orpheus playing to the animals","Backboard"],"assets":["2023NN4087"],"recordModificationDate":"2026-01-16","recordCreationDate":"2009-06-24","availableToBook":false}}