{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O309446"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O309446/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KB5099/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KB5099/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017KB5099","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2025PL2519","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O309446/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O309446","accessionNumber":"A.36-1910","objectType":"Statuette","titles":[{"title":"A Virgin Saint","type":"generic title"}],"summaryDescription":"This Virgin Saint would originally have belonged to a multi-figured altarpiece. Like many other wood sculptures of this date it has been completely stripped off its paint. The facial type and the drapery belong to the so-called 'International Style' - or 'Soft Style' - of the 'Schöne Madonnen' ('Beautiful Madonnas') and Pietà groups produced in different places in Central Europe: in this case, it is possible to give a more exact ascription to the area around Salzburg. Figures of this type were widely exported, and influenced the style of certain workshops in Central and Northern Italy.","physicalDescription":"The Virgin is seated , wearing a gown and mantle arranged in heavy folds. Both hands are broken off and no distinctive emblem remains.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"limewood","id":"x42540"}],"techniques":[{"text":"carving","id":"AAT53149"}],"materialsAndTechniques":"Carved limewood","categories":[{"text":"Christianity","id":"THES48978"},{"text":"Religion","id":"THES48900"},{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2017KB5099","2025PL2519"],"imageResolution":"high","galleryLocations":[{"current":{"text":"003","id":"THES397758"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Statuette","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Austria","id":"x28728"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1410-1420","earliest":"1405-01-01","latest":"1420-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"69","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"without crown","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This Virgin Saint would originally have belonged to a multi-figured altarpiece. Like many other wood sculptures of this date it has been completely stripped off its paint. The facial type and the drapery belong to the so-called 'International Style' - or 'Soft Style' - of the 'Schöne Madonnen' ('Beautiful Madonnas') and Pietà groups produced in different places in Central Europe: in this case, it is possible to give a more exact ascription to the area around Salzburg. Figures of this type were widely exported, and influenced the style of certain workshops in Central and Northern Italy.","historicalContext":"","briefDescription":"Statuette, limewood, A Virgin Saint, Austria (Salzburg), ca. 1410-1420","bibliographicReferences":[{"reference":{"text":"Williamson, Paul and Evelyn, P. <i>Northern Gothic Sculpture 1200-1450</i>. London : Victoria and Albert Museum, 1988","id":"AUTH357649"},"details":"pp.178 & 181","free":""},{"reference":{"text":"","id":""},"details":"","free":"Gillerman, Dorothy (ed.). <u>Gothic Sculpture in America, I, The New England Museums</u>, London, New York, 1989, cat. No. 154"},{"reference":{"text":"<i>German Art 1400-1800 from collections in Great Britain</i>, Manchester, 1961","id":"AUTH354954"},"details":"35","free":""},{"reference":{"text":"Saliger, Arthur (ed.), <i>Der Meister von Grosslobming</i>, Wien : Die Galerie, 1994","id":"AUTH357815"},"details":"31","free":""}],"production":"Salzburg","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Virgin Mary","id":"N480"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This Virgin Saint would originally have belonged to a multi-figured altarpiece. Like many other wood sculptures of this date it has been completely stripped off its paint. The facial type and the drapery belong to the so-called 'International Style' - or 'Soft Style' - of the 'Schöne Madonnen' ('Beautiful Madonnas') and Pietà groups produced in different places in Central Europe: in this case, it is possible to give a more exact ascription to the area around Salzburg. Figures of this type were widely exported, and influenced the style of certain workshops in Central and Northern Italy.","date":{"text":"1993","earliest":"1993-01-01","latest":"1993-12-31"}}],"partNumbers":["A.36-1910"],"accessionNumberNum":"36","accessionNumberPrefix":"A","accessionYear":1910,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-01-07","recordCreationDate":"2009-06-24","availableToBook":true}}