{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O298428"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O298428/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AL4139/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AL4139/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AL4139","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O298428/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O298428","accessionNumber":"A.48-1911","objectType":"Sketch-model","titles":[{"title":"section of a fender","type":"named collection"}],"summaryDescription":"This portion of a fender relates to the cast-iron openwork fender designed by Stevens whilst employed at Messrs Henry E. Hoole & Co Ltd.\r\n\r\nA sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. \r\nPerhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. \r\nThe influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.","physicalDescription":"Elaborately moulded border supports an openwork panel of interlacing S-shaped bands and leafy forms.","artistMakerPerson":[{"name":{"text":"Stevens, Alfred George","id":"A8886"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"plaster","id":"AAT14922"}],"techniques":[{"text":"casting","id":"AAT53104"}],"materialsAndTechniques":"Plaster cast","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Architecture","id":"THES48993"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AL4139"],"imageResolution":"high","galleryLocations":[{"current":{"text":"003","id":"THES401084"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Sketch-model","id":""}],[{"text":"Portion of fender","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1850","earliest":"1845-01-01","latest":"1854-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"27","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"13.97","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"1","unit":"kg","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased from Mrs Ada Gamble, London, together with a range of other objects by Stevens, for £175. Mrs Gamble was the widow of James Gamble, a pupil of Stevens, who had a large collection of designs and drawings by his former master.\r\n","historicalContext":"This portion of a fender relates to the cast-iron openwork fender designed by Stevens whilst employed at Messrs Henry E. Hoole & Co Ltd.","briefDescription":"Sketch model, plaster, section of a fender, by Alfred Stevens, English, ca. 1850","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Bilbey, Diane and Trusted, Marjorie. <u>British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum</u>, London: Victoria and Albert Museum, 2002, p. 362, cat.no 536"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.48-1911"],"accessionNumberNum":"48","accessionNumberPrefix":"A","accessionYear":1911,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-13","recordCreationDate":"2009-06-24","availableToBook":false}}