{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O282279"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O282279/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EC4066/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EC4066/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EC4066","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AC5643","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O282279/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O282279","accessionNumber":"700-1877","objectType":"Plateau","titles":[],"summaryDescription":"During the 1870s the Museum acquired a group of ceramics to represent the skills of relatively less well-known factories in Italy in centres like Cortona, Gubbio and Florence.  Such potteries made close imitations very much in the same spirit as the 15th and 16th century originals which were their inspiration. It was often described as 'old maiolica ware'. The fashion for this type of 'historicism' was widespread across western Europe and in Britain.","physicalDescription":"Plateau, painted in colours with panels of grotesques surrounding a square tablet with a monkey (possibly a baboon).","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"G. Fanucchi pottery","id":"A34234"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"earthenware","id":"x29356"}],"techniques":[{"text":"painted","id":"AAT54216"},{"text":"glazed","id":"AAT53914"}],"materialsAndTechniques":"Earthenware, painted, glazed","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Earthenware","id":"THES48964"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2010EC4066","2006AC5643"],"imageResolution":"high","galleryLocations":[{"current":{"text":"139 (VA)","id":"THES49874"},"free":"","case":"36","shelf":"4","box":""}],"partTypes":[[{"text":"Plate","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Florence","id":"x28848"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1877","earliest":"1877-01-01","latest":"1877-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Diameter","value":"33.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'G Fanucchi 1877'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Bought from the art dealer William Campbell Spence, Florence in 1877. William Campbell Spence (1849-1927 living at 6, Via Micheli, Florence, Italy) was the son of William Blundell Spence (1814-1900) a painter, art collector and dealer.","historicalContext":"","briefDescription":"Plateau, earthenware painted in colours, made by G Fanucchi pottery, Florence, Italy, 1877","bibliographicReferences":[{"reference":{"text":"Frescobaldi Malenchini, Livia ed. With Balleri, Rita and Rucellai, Oliva, ‘Amici di Doccia Quaderni, Numero VII, 2013, The Victoria and Albert Museum Collection’, Edizioni Polistampa, Firenze, 2014","id":"AUTH332410"},"details":"p. 150, Cat. 133","free":"133. Plate with grotesque decorations and baboon inside a frame\r\ncirca 1877\r\nGiuseppe Fanucchi\r\nmaiolica painted in colours\r\ndiam. 33,6 cm\r\nG. Fanucchi 1877\r\ninv. 700-1877\r\npurchase: William Campbell Spence, £ 2.10.0\r\nBibliography: RUCELLAI 2005a, p. 28, fig. 5\r\nGiuseppe Fanucchi was active at Doccia starting in 1872 as a painter of artistic maiolica (AMDarm. 2, palch. 1, cart. 12, n. 212). These two plates are the only ones that we know of that were signed by Fanucchi and demonstrate his activity as an independent artist. Along with the three plates by Torelli (cat. 698,703,711) they show how the success of the revival of Renaissance maiolica had reached a level such as to encourage the foundation of new factories specializing in this type of ceramics and able to challenge the means and the prestige of Ginori. The two plates are of excellent quality; the one with the monkey inside a frame also shows a certain originality in the composition with respect to the Renaissance models and the intention to create new iconographical subjects. For other plates sold by the art dealer W.C. Spence in Florence, see cat. 127-132.\r\nO.R.\r\n"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"grotesques","id":"AAT10211"},{"text":"monkeys","id":"x30136"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["700-1877"],"accessionNumberNum":"700","accessionNumberPrefix":"","accessionYear":1877,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-11","recordCreationDate":"2009-06-24","availableToBook":false}}