{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O271523"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O271523/"}},"images":null,"see_also":null},"record":{"systemNumber":"O271523","accessionNumber":"CIRC.124A-1937","objectType":"Fork","titles":[{"title":"Romney Plain Pine","type":"manufacturer's title"}],"summaryDescription":"Walter Patrick Belk initially designed this service for the dining rooms of the Queen Mary.  It proved so popular that it was also used for another of Cunard’s transatlantic liners, the Queen Elizabeth, sister ship of the Queen Mary.\r\n\r\nIn the first half of the 20th century, Roberts and Belk were a well-known firm of manufacturing platers and silversmiths. They had been established in Sheffield in 1810. In 1901 the firm converted into a limited liability company, the first directors being Charles Belk and Walter Belk. In 1961 it was purchased by the London manufacturing silversmiths, C. J. Vander Ltd.\r\n\r\nTraditionally, Roberts and Belk had a ‘high-class’  goods range – ‘ every piece designed by the firm’s own staff’.  Walter Belk (1872-1963) was originally an architect. As director of this important firm, he was immensely supportive of the Goldsmiths’ Company’s schemes to improve design in silver. He was elected to the Livery of the Company in 1929.","physicalDescription":"Fork, three tines, the outer edges tapering slightly inwards, the haft with chamfered edges and end, stamped with a fleche pattern","artistMakerPerson":[{"name":{"text":"Walter Patrick Belk","id":"AUTH344904"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Roberts & Belk Ltd.","id":"A4661"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"electroplated nickel silver","id":"x42320"}],"techniques":[{"text":"electroplating","id":"AAT54000"},{"text":"forging","id":"AAT54033"}],"materialsAndTechniques":"Electroplated nickel silver","categories":[{"text":"Metalwork","id":"THES48920"},{"text":"Tableware & cutlery","id":"THES48888"}],"styles":[{"text":"Art Deco","id":"AAT21426"}],"collectionCode":{"text":"MET","id":"THES48599"},"images":[],"imageResolution":"low","galleryLocations":[{"current":{"text":"002","id":"THES399647"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Fork","id":"AAT43099"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Sheffield","id":"x29138"},"association":{"text":"designed and made","id":"x39722"},"note":""}],"productionDates":[{"date":{"text":"1932-1936","earliest":"1932-01-01","latest":"1936-12-31"},"association":{"text":"designed and made","id":"x39722"},"note":""}],"associatedObjects":[{"object":{"text":"Circ.124-1937","id":"O271525"},"association":""},{"object":{"text":"Circ.124B-1937","id":"O271524"},"association":"Set"}],"creditLine":"","dimensions":[{"dimension":"Length","value":"7","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"0.75","unit":"in","qualifier":"maximum","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"798068 and the lamp mark","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Design registration number and the company logo"}],"objectHistory":"","historicalContext":"","briefDescription":"Fork, `Plain Pine', electroplate, Sheffield, made by Roberts and Belk, 1932-36, designed by Walter Patrick Belk","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Carol Hogben, ed. <u>British Art and Design, 1900-1960</u>, London, Victoria and Albert Museum, 1983. pp.136-137. ill. ISBN: 0905209575"},{"reference":{"text":"","id":""},"details":"","free":"Jennifer Hawkins and Marianne Hollis, <u>Thirties, British art and design before the war</u>, London, Arts Council, p.140. ill."}],"production":"","productionType":{"text":"Mass produced","id":"THES48863"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[{"text":"Cunard Line","id":"AUTH318151"}],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CIRC.124A-1937"],"accessionNumberNum":"124","accessionNumberPrefix":"CIRC","accessionYear":1937,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-09","recordCreationDate":"2009-06-24","availableToBook":true}}