{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O24449"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O24449/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CB8540/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CB8540/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2009CB8540","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O24449","accessionNumber":"C.32-1966","objectType":"Tea bowl","titles":[],"summaryDescription":"Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.\r\n\r\nThe Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.","physicalDescription":"Tea bowl of stoneware, thickly potted with vertical sides tapering gently towards the rim and cut in sharply below to a roughly-shaped footring. Covered with a transparent greenish glaze which on the inside is suffused with opaque creamy areas tending to a bluish hue, and on the outside is covered over by a lustrous rush brown glaze in which five wavy vertical streaks have been left uncovered.","artistMakerPerson":[{"name":{"text":"Hamada, Shoji","id":"A1085"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"stoneware","id":"x30197"}],"techniques":[{"text":"glazed","id":"AAT53914"}],"materialsAndTechniques":"Stoneware with rust brown and mottled bluish glazes","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Stoneware","id":"THES48890"},{"text":"Studio Pottery","id":"THES48889"}],"styles":[{"text":"Showa","id":"AAT18568"}],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2009CB8540"],"imageResolution":"low","galleryLocations":[{"current":{"text":"137","id":"THES49876"},"free":"","case":"23","shelf":"4","box":""}],"partTypes":[[{"text":"cups","id":"AAT43202"}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Mashiko","id":"x32161"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"about 1935-1950","earliest":"1935-01-01","latest":"1950-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs M.H. Tiltman","dimensions":[{"dimension":"Height","value":"8.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"8.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"7.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Given to the donor by the potter, together with C.33 & C.34-1966.","historicalContext":"","briefDescription":"Tea bowl, stoneware with rust brown and mottled bluish glazes, made by Hamada Shoji, Japan (Mashiko), about 1935-1950","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"'Retrospective Exhibition of Shoji Hamada', National Museum of Modern Art (Tokyo, 1977)"},{"reference":{"text":"","id":""},"details":"","free":"L.P. Roberts, <u>Dictionary of Japanese Artists</u> (New York/Tokyo, 1977), p.38;\r\nGisela Jahn and Anette Petersen-Brandhorst, <u>Erde und Feuer</u>, Deutsches Museum (Munich, 1984), pp.198 - 199"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["C.32-1966"],"accessionNumberNum":"32","accessionNumberPrefix":"C","accessionYear":1966,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2021MX5813"],"recordModificationDate":"2025-04-21","recordCreationDate":"2000-02-12","availableToBook":false}}