{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O239963"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O239963/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009BX6560/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009BX6560/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2009BX6560","copyright":"© Victoria and Albert Museum, London/ Ken Knowlton","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O239963/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O239963","accessionNumber":"E.963-2008","objectType":"Print","titles":[{"title":"Studies in Perception I","type":"assigned by artist"}],"summaryDescription":"In order to create the original version of this image, Leon Harmon and Ken Knowlton scanned a photograph of the choreographer Deborah Hay and converted the greyscale values into symbols.  The resulting printout was 12 feet wide and was hung in a colleague's office at Bell Labs as a prank.  The image found fame when it featured in a press conference in Robert Rauschenberg's loft and subsequently appeared in the New York Times on 11 October, 1967.\r\n\r\nAnother version was included in a major exhibition held at the Museum of Modern Art New York in 1968, entitled <i>The machine as seen at the end of the mechanical age</i>. This is smaller and more recent version of the image, produced in 1997 as a limited edition print.","physicalDescription":"Black and white laser print depicting a female nude made up of typographic symbols. Window mounted.","artistMakerPerson":[{"name":{"text":"Harmon, Leon","id":"A29434"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Ken Knowlton","id":"A21847"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"","id":""},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper (fiber product)","id":"AAT14109"},{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"computer-generated","id":"x44521"},{"text":"laser printing","id":"AAT254422"}],"materialsAndTechniques":"Laser print","categories":[{"text":"Computer Art","id":"THES49037"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2009BX6560"],"imageResolution":"high","galleryLocations":[{"current":{"text":"514A","id":"THES49773"},"free":"","case":"RK","shelf":"14","box":"R"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"USA","id":"x29333"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1997","earliest":"1997-01-01","latest":"1997-12-31"},"association":{"text":"made","id":"x28654"},"note":"Original print produced in 1966"}],"associatedObjects":[],"creditLine":"Given by the American Friends of the V&A through the generosity of Patric Prince","dimensions":[{"dimension":"Height","value":"32.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"inc. mount","note":""},{"dimension":"Width","value":"55.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"inc. mount","note":""}],"dimensionsNote":"Work is currently fixed in the mount (17/07/09)","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Laser print after a computer-generated image, 'Studies in Perception I', by Leon Harmon and Ken Knowlton, 1997.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Mark Leckey, <u>The Universal Addressability of Dumb Things</u> London: Hayward Publishing, 2013. ISBN: 9781853323058."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Hay, Deborah","id":"N11272"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"female nude","id":"x43960"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Leon Harmon 1922-82 and Kenneth Knowlton born 1931\r\nStudies in Perception I \r\n1997 (original version 1967)\r\n\r\nHarmon and Knowlton scanned a photograph of choreographer Deborah Hay and converted the grey scale values into symbols.  The original printout was 12 feet wide and was hung in a colleague's office at Bell Labs as a prank.  The image found fame when it featured in a press conference in Robert Rauschenberg's loft, and then in the New York Times.\r\n\r\nLaser print \r\nGiven by the American Friends of the V&A through the generosity of Patric Prince \r\nMuseum no. E.963-2008","date":{"text":"07/12/2009 - 20/06/2010","earliest":"2009-12-07","latest":"2010-06-20"}}],"partNumbers":["E.963-2008"],"accessionNumberNum":"963","accessionNumberPrefix":"E","accessionYear":2008,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-11","recordCreationDate":"2009-06-08","availableToBook":false}}