{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O239661"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O239661/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BV2933/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BV2933/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BV2933","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2010EG4118","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2011FB2150","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O239661/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O239661","accessionNumber":"DYCE.482","objectType":"Drawing","titles":[{"title":"Arcadian Landscape with Figures Dancing to the music of 2wo Piping Shepherds","type":"published title"}],"summaryDescription":"","physicalDescription":"Classical landscape and figures; a temple on the right, and, in the foreground, figures dancing to the piping of two shepherds; a female holds garlands for prizes; Drawn with a pen, and washed with Indian ink; Inscribed <i>Jan Van Huysum fecit.</i>","artistMakerPerson":[{"name":{"text":"Huysum, Jan van","id":"A5207"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"pen","id":"x30618"},{"text":"Indian ink","id":"x32680"}],"techniques":[{"text":"drawing","id":"AAT54196"},{"text":"wash technique","id":"AAT182748"}],"materialsAndTechniques":"Pen and black ink, with grey wash; framing line in black ink. ","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"Dutch School","id":"x31259"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2008BV2933","2010EG4118","2011FB2150"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH","id":"THES49654"},"free":"","case":"DG","shelf":"118","box":""}],"partTypes":[[{"text":"drawings","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Amsterdam","id":"x28722"},"association":{"text":"drawn","id":"x34232"},"note":"Possibly"}],"productionDates":[{"date":{"text":"c.1700-1749","earliest":"1695-01-01","latest":"1749-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Rev. Alexander Dyce","dimensions":[{"dimension":"Height","value":"182","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"292 ","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Signed at lower left, in black ink (in the margin outside the framing line), <i>Jan Van H˘uijsum fecit</i>, the drawing then trimmed to just outside the framing line, except for the tab with the signature, which is folded over onto the verso.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Inscribed at lower right, in brown ink (with the museum’s Dyce inv. no.), <i>482</i>. ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Inscribed on mount, underneath floated drawing, at lower right, by Dyce, in pencil, <i>JV Huysum</i>; below and to the right of this, in a nineteenth-century hand, in pencil (with the original Dyce inv. no.), <i>168</i>.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":" On separate piece of card, glued on mount at lower left, in brown ink,<i> J. van Huysum</i>.; this fragment annotated at upper right, in the same nineteenth-century hand as above, in pencil (with the original Dyce inv. no.), <i>168</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Provenance: Rev. Alexander Dyce (1798–1869), London, by whom bequeathed to the museum (L. Suppl. 153b), 1869.","historicalContext":"","briefDescription":"Drawing, Arcadian landscape with figures dancing to the music of two piping shepherds, Jan van Huijsum, Dutch School, early 18th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Jane Shoaf Turner and Christopher White, <u>Catalogue of Dutch and Flemish Drawings in the Victoria and Albert Museum</u> (London, 2014), vol. I, cat.91, pp.139-40"}],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"landscape","id":"AAT15636"},{"text":"figures","id":"AAT189808"},{"text":"temple","id":"AAT7595"},{"text":"statue","id":"AAT47600"},{"text":"sheep","id":"x30093"},{"text":"shepherds","id":"AAT25617"},{"text":"dancing","id":"x37546"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The carefully arranged composition and idealised shepherds of this scene represent the final phase of Dutch Italianate art. Jan van Huijsum made many finished classical landscapes like this one. But he never travelled to Italy. Instead, he used the work of artists like Claude Lorrain, who was active in Rome in the later 17th century, as inspiration.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["DYCE.482"],"accessionNumberNum":"482","accessionNumberPrefix":"DYCE","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-21","recordCreationDate":"2009-06-08","availableToBook":false}}