{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O239503"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O239503/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EA6299/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EA6299/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EA6299","copyright":"©Victoria and Albert Museum, London/Sarah Pickering","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O239503/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O239503","accessionNumber":"E.258-2009","objectType":"Photograph","titles":[{"title":"White Goods","type":"assigned by artist"}],"summaryDescription":"Sarah Pickering's series 'Incident' documents the spaces used by fire fighters during training exercises. The abandoned rooms create eerie spaces for the viewer to occupy. Pickering's images of burnt out rooms are textured with soot and ashes, and printed as entirely matt photographs. At first glance, the viewer might find it difficult to discern whether this image, 'White Goods', is in fact a photograph or a charcoal drawing.","physicalDescription":"Black and white matt photograph of white goods burnt by a fire.","artistMakerPerson":[{"name":{"text":"Pickering, Sarah","id":"A28656"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Fibre based gelatin silver print mounted on Heritage Museumboard (2.2 mm)","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EA6299"],"imageResolution":"high","galleryLocations":[{"current":{"text":"B","id":"THES385078"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United Kingdom","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2007-2008","earliest":"2007-01-01","latest":"2008-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased with the support of Mr and Mrs Eric Franck and assistance from Meessen De Clercq, Brussels","dimensions":[{"dimension":"Height","value":"124.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Length","value":"149.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Sarah Pickering, 'White Goods', from the series 'Incident', 2007/2008.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The pristine whiteness suggested by the title of this work contrasts with the charred appearance of the household appliances. This photograph is from Pickering's series Incident, which depicts environments used by fire fighters for training exercises. The eerie artificial domestic space reflects the trauma experienced after real-life house fires. The destructive, unpredictable nature of fire is controlled in these simulated situations. \r\n","date":{"text":"15/06/2023","earliest":"2023-06-15","latest":"2023-06-15"}},{"text":"Pickering's series Incident documents the spaces used by fire fighters during training exercises. The abandoned rooms create eerie spaces for the viewer to occupy. Pickering's images of burnt out rooms are textured with soot and ashes, and printed as entirely matt photographs. At first glance, the viewer might find it difficult to discern whether this image, White Goods, is in fact a photograph or a charcoal drawing.","date":{"text":"2009","earliest":"2009-01-01","latest":"2009-12-31"}}],"partNumbers":["E.258-2009"],"accessionNumberNum":"258","accessionNumberPrefix":"E","accessionYear":2009,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-06-26","recordCreationDate":"2009-06-08","availableToBook":false}}