{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O239356"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O239356/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EG3760/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EG3760/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EG3760","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2008BV2913","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KJ4461","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O239356/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O239356","accessionNumber":"DYCE.436","objectType":"Drawing","titles":[{"title":"Study of a reclining studio model for a 'Sacrifice of Isaac'","type":"published title"}],"summaryDescription":"","physicalDescription":"In an arched-top composition, a studio model, nude except for a piece of drapery across his loins, reclines at an oblique, foreshortened angle, with his arms clasped under his head","artistMakerPerson":[{"name":{"text":"Nicolaes Maes","id":"A5236"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Rembrandt","id":"A4362"},"association":{"text":"artist","id":"AAT25103"},"note":"Previously attributed to"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Pen and Ink","id":"x30618"},{"text":"Wash","id":"x47470"},{"text":"chalk","id":"AAT80064"},{"text":"Opaque white","id":"AAT13724"},{"text":"Paper","id":"x30308"}],"techniques":[{"text":"Drawing","id":"x32498"}],"materialsAndTechniques":"Pen and brown ink, with brown and some (later?) grey wash, over touches of red chalk; some corrections in opaque white (in the figure’s left forearm and right torso); framing line in black chalk.","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"Dutch School","id":"x31259"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EG3760","2008BV2913","2017KJ4461"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH","id":"THES49654"},"free":"","case":"DG","shelf":"22","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Netherlands","id":"x29020"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"1653-8","earliest":"1653-01-01","latest":"1658-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"186","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"238","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Inscribed at lower right, in brown ink (with the museum’s Dyce inv. no.), <i>436</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"On verso, at upper right, in an eighteenthor nineteenth-century hand, in brown ink, <i>Studie voor Izak in Geschildert in Abrahams offerhande / door Rembrand</i>.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Rev. Alexander Dyce (1798–1869), London, by whom bequeathed to the museum (L. Suppl. 153b), 1869.","historicalContext":"","briefDescription":"Drawing, Study of a reclining studio model for a 'Sacrifice of Isaac', by Nicolaes Maes, Pen and brown ink, with brown and some (later?) grey wash, over touches of red chalk on paper; some corrections in opque white; framing line in black chalk, Dutch School, c. 1653-8","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Jane Shoaf Turner and Christopher White, <u>Catalogue of Dutch and Flemish Drawings in the Victoria and Albert Museum</u> (London, 2014), vol. I, cat.119, pp.161-64"}],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[{"text":"Netherlands","id":"x29020"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"A Sacrifice of Isaac is one of Nicolaes Maes’ rare religious paintings. Maes was a pupil of Rembrandt and this study for the central figure is indebted to him. The stretched pose and pale skin of Isaac, emerging from a shadowy brown wash, are typical of the drama of the prevailing ‘Baroque’ style.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["DYCE.436"],"accessionNumberNum":"436","accessionNumberPrefix":"DYCE","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-21","recordCreationDate":"2009-06-08","availableToBook":false}}