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Views of British Design.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Bottom, in red"},{"content":"36th International Design Conference in Aspen. [dates] / Aspen '86 explores the diversity and vitality of British design today. Conference Co-chairmen Kenneth Grange, Pentagram London, and Rosamind / Julius, Julius International, are asking - Why Britain? Is British design strong despite or because of a hostile cultural environment? Why do young designers / go it alone? Historical heritage - milstone or milestone? Do national characteristics of eccentricity, irony and understatement affect design in today's / international business world. Tpoics range from fashion photography, film, graphics, advertising, architecture, interiors and product design to theatre / and gardens. [details of speakers, workshops, prices, etc]","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Bottom of sheet, in black, some in bold"}],"objectHistory":"Part of a gift from Alan Fletcher of his archive to represent his design output from the 1970s to the present day. 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