{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O23794"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O23794/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BG0379/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BG0379/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BG0379","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV7820","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O23794","accessionNumber":"CIRC.349-1939","objectType":"Vase","titles":[],"summaryDescription":"Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.\r\n\r\nThe Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.","physicalDescription":"Stoneware vase with an oval body and a short, thin neck. Decorated with a wax resist design of leaves and stems against a thinly glazed brown ground. Made by Hamada Shoji.","artistMakerPerson":[{"name":{"text":"Hamada, Shoji","id":"A1085"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"stoneware","id":"x30197"}],"techniques":[{"text":"glazed","id":"AAT53914"}],"materialsAndTechniques":"Stoneware, thrown, with wax resist decoration against a thinly glazed brown ground","categories":[{"text":"Studio Pottery","id":"THES48889"},{"text":"Ceramics","id":"THES48982"},{"text":"Stoneware","id":"THES48890"}],"styles":[{"text":"Showa","id":"AAT18568"}],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2006BG0379","2018KV7820"],"imageResolution":"low","galleryLocations":[{"current":{"text":"142","id":"THES49868"},"free":"","case":"19","shelf":"","box":""}],"partTypes":[[{"text":"Bottle","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Mashiko","id":"x32161"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1931","earliest":"1931-01-01","latest":"1931-12-31"},"association":{"text":"made","id":"x28654"},"note":"A sticker on the base of the object box is dated 1931"}],"associatedObjects":[],"creditLine":"Given by the Contemporary Art Society","dimensions":[{"dimension":"Height","value":"38.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"17.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Vase, stoneware with wax resist decoration against a thinly glazed brown ground, made by Hamada Shoji, Mashiko, Japan, 1931","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"'Retrospective Exhibition of Shoji Hamada', National Museum of modern art (Tokyo, 1977)"}],"production":"Artist: Hamada Shoji (1894-1978)\nBiographical reference: L.P. Roberts, 'Dictionary of Japanese Artists' (New York/Tokyo, 1976), p.38:  Gisela Jahn and Anette Petersen-Brandhorst, 'Erde und Feuer', Deutsches Museum (Munich, 1984), pp.198 - 199\nJAPAN","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"plants","id":"AAT132360"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Vase\r\nStoneware with clear ash glaze, wax-resist decoration\r\nand a secondary iron-bearing glaze\r\nBy Hamada Shoji JAPANESE; 1931 Circ.349-1939\r\nGiven by the Contemporary Arts Society","date":{"text":"as at 2005","earliest":"2005-01-01","latest":"2005-12-31"}}],"partNumbers":["CIRC.349-1939"],"accessionNumberNum":"349","accessionNumberPrefix":"CIRC","accessionYear":1939,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019MC1596"],"recordModificationDate":"2025-04-11","recordCreationDate":"2000-02-12","availableToBook":false}}