{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O236033"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O236033/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BW4824/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BW4824/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BW4824","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JT8061","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O236033/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O236033","accessionNumber":"459-1852","objectType":"Bowl","titles":[],"summaryDescription":"This plate was the result of a creative partnership between the architect, writer  and designer A.W.N Pugin and Herbert Minton of Minton and Company - a  collaboration that embraced innovations in both manufacture and design and  which had already resulted in a series of encaustic floor tiles. Pugin was one of the  main exponents of the Gothic Revival style in England and is perhaps best known  for his work on the interior of The Palace of Westminster, London, while in terms  of design and technical innovation, Minton's was undoubtedly the leading ceramic  firm in mid-nineteenth-century Britain.\r\n\r\nIn 1848, a technique for multicolour printing on ceramics was patented by F.W.M  Collins and Alfred Reynolds, based on methods pioneered by the printmaker  George Baxter. Both Pugin and Minton were quick to see the advantages of the  new process. This involved printing onto a sheet of paper in sequence and 'in  register' from a set of printing plates (one for each colour), and this was then  used to transfer the design to the ceramic ware. Unlike earlier transfer-printing  techniques, block-printing, or 'New Press' as it came to be known, allowed the  printing of solid areas of colour, so was particularly suited to the complex flat  pattern designs that were such a strong component of Pugin's Gothic style.\r\n\r\nDisplayed in the Medieval Court of the Great Exhibition of 1851, this plate  exemplified the new printing technique as applied to tableware and demonstrated  the Gothic style's potential for use in the domestic sphere.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"A.W. Pugin","id":"A8761"},"association":{"text":"designer","id":"AAT25190"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Minton","id":"A9175"},"association":{"text":"manufacturer","id":"x33306"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"","categories":[],"styles":[{"text":"Gothic Revival","id":"AAT21452"}],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2008BW4824","2017JT8061"],"imageResolution":"high","galleryLocations":[{"current":{"text":"143","id":"THES49867"},"free":"","case":"35","shelf":"2","box":""}],"partTypes":[[{"text":"Plate","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Staffordshire","id":"x29181"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1851","earliest":"1846-01-01","latest":"1855-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Diameter","value":"25","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"checked for loan 04/10/2008","marksAndInscriptions":[],"objectHistory":"Puchased from the Great Exhibition, London, 1851.","historicalContext":"","briefDescription":"Bowl, bone china with transfer-printed decoration, designed by Pugin for Minton, ca. 1851","bibliographicReferences":[{"reference":{"text":"Starcky, Emmanuel,<i> Napoleon III et la reine Victoria: une visite à l’Exposition universelle de 1855</i>, Paris: Réunion des musées nationaux, 2008.","id":"AUTH348573"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"Bryant, Julius.<u> Art and Design for all: The Victoria and Albert Museum </u>. London: V&A publishing, 2011. p 139. ISBN 978 1 85177 666 5"}],"production":"","productionType":{"text":"Mass produced","id":"THES48863"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["459-1852"],"accessionNumberNum":"459","accessionNumberPrefix":"","accessionYear":1852,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LR2401","2019LT7236","2019LV1909","2019LW4870","2019LV8680","2023NR1541"],"recordModificationDate":"2025-12-30","recordCreationDate":"2009-05-27","availableToBook":false}}