{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O226376"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O226376/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2024NW5068/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2024NW5068/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2024NW5068","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O226376","accessionNumber":"E.573-1996","objectType":"Photograph","titles":[{"title":"Cleaning the Drapes","type":"assigned by artist"}],"summaryDescription":"Martha Rosler created this photomontage in response to America’s role in the Vietnam War – the first conflict to be televised and therefore brought into the homes of civilian Americans. Rosler wanted the works to be provocative and ‘agitational’, so combined photographs taken from the war’s extensive coverage with glossy commercials and luxury home interiors. Her photomontages highlight the indifference toward ‘far away’ wars and address the subject of gender in military operations, presenting the masculine business of waging war alongside the safety of feminine, domestic spaces. Rosler originally distributed photocopies of House Beautiful: Bringing the War Home at anti-Vietnam War demonstrations, providing a necessary visualization of the realities of this ‘living-room war’ and aiming to corral support to end it.","physicalDescription":"General Description: From the series \"Bringing the War Home: House  Beautiful\"","artistMakerPerson":[{"name":{"text":"Martha Rosler","id":"A16298"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Colour photomontage","categories":[{"text":"Photographs","id":"THES48910"},{"text":"War","id":"THES257202"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2024NW5068"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLH","id":"THES49654"},"free":"","case":"WS","shelf":"R51","box":"L"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"photomontage","id":"AAT134699"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United States","id":"x29333"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1969-1972","earliest":"1969-01-01","latest":"1972-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"55.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Print","note":""},{"dimension":"Width","value":"81.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Print","note":""},{"dimension":"Height","value":"56.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":"Measurement of object when framed"},{"dimension":"Width","value":"81.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":"Measurement of object when framed - frame does not exceed width of print"},{"dimension":"Height","value":"500","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Height of grid ","note":"Size of grid when all 18 photographs in the series are displayed together"},{"dimension":"Width","value":"784","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Width of grid","note":"Size of grid when all 18 photographs in the series are displayed together"}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Exhibitions: Warworks: Women, Photography and the Art of War, London, Victoria and Albert Museum, 11  January - 19 March 1995.","historicalContext":"","briefDescription":"'Cleaning the Drapes', 1969-72 from the series 'Bringing the War Home: House Beautiful' -  photomontage printed as colour photograph","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Val Williams, Warworks: Women,  Photography and the Iconography of War, Virago, 1994,  pp.52-57"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (T&H, V&A publishing, spring 2026)\n\nMartha Rosler created this photomontage in response to America’s role in the Vietnam War – the first conflict to be televised and therefore brought into the homes of civilian Americans. Rosler wanted the works to be provocative and ‘agitational’, so combined photographs taken from the war’s extensive coverage with glossy commercials and luxury home interiors. Her photomontages highlight the indifference toward ‘far away’ wars and address the subject of gender in military operations, presenting the masculine business of waging war alongside the safety of feminine, domestic spaces. Rosler originally distributed photocopies of House Beautiful: Bringing the War Home at anti-Vietnam War demonstrations, providing a necessary visualization of the realities of this ‘living-room war’ and aiming to corral support to end it.","date":{"text":"03/12/2025","earliest":"2025-12-03","latest":"2025-12-03"}}],"partNumbers":["E.573-1996"],"accessionNumberNum":"573","accessionNumberPrefix":"E","accessionYear":1996,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-06-11","recordCreationDate":"2009-04-20","availableToBook":false}}