{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O218435"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O218435/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009BY8474/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009BY8474/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2009BY8474","copyright":"©Victoria and Albert Museum, London/David Thomas","sensitiveImage":false},{"assetRef":"2009BY8473","copyright":"©Victoria and Albert Museum, London/David Thomas","sensitiveImage":false},{"assetRef":"2009BY8472","copyright":"©Victoria and Albert Museum, London/David Thomas","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O218435/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O218435","accessionNumber":"M.1:1 to 3-2009","objectType":"Pendant and chain","titles":[],"summaryDescription":"A dynamic and dramatic new style of gold jewellery emerged in London during the 1960s, distinguished by asymmetrical contours, splintered surfaces, textured gold and unusual gemstones often left rough or in crystal form. Originating within the mainstream market for precious jewellery yet drawing inspiration from fine art, these more rugged pieces provided a young and exciting alternative to the predictable polished gold and neat diamonds that were more readily available. \r\n\r\nDavid Thomas (born 1938) was a key proponent of this new style. He studied at Twickenham School of Art and the Royal College of Art, and was one of the innovative young jewellers included in the 'International Exhibition of Modern Jewellery 1890-1961' held at Goldsmiths' Hall in 1961. This magnificent necklace was commissioned from him by the model Ann Mollo, and she wears the pendant as a brooch in her portrait of 1969 by photographer Michael Seymour in the collection of the National Portrait Gallery.","physicalDescription":"Pendant with a raised central cluster of irregular topaz crystals, from which radiate individually-applied gold wires, some of which have granular decoration, and which have scattered amongst them narrow rectangular garnets. On the back is a hook to attach the chain, and a pin allowing the piece to be worn as a brooch. The chain comprises long, alternating links in two distinct patterns: of three rods with granular surface texturing fused at the mid point; and of a three-dimensional geometric outline made from four shaped lengths of gold.","artistMakerPerson":[{"name":{"text":"Thomas, David","id":"A17002"},"association":{"text":"designer and maker","id":"x34662"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"gold","id":"AAT11021"},{"text":"topaz","id":"AAT11162"},{"text":"garnets","id":"x43052"}],"techniques":[{"text":"stone setting","id":"x34787"}],"materialsAndTechniques":"Gold, topaz crystals and garnets","categories":[{"text":"Jewellery","id":"THES48930"},{"text":"Metalwork","id":"THES48920"},{"text":"Europeana Fashion Project","id":"THES265804"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2009BY8474","2009BY8473","2009BY8472"],"imageResolution":"high","galleryLocations":[{"current":{"text":"91 (VA)","id":"THES49703"},"free":"","case":"35","shelf":"A","box":"3"},{"current":{"text":"91 (VA)","id":"THES49703"},"free":"","case":"35","shelf":"A","box":"3"},{"current":{"text":"005","id":"THES404600"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"pendant","id":""}],[{"text":"pendant chain","id":""}],[{"text":"pendant chain extension","id":""}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1967-1968","earliest":"1967-01-01","latest":"1968-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased through the generosity of Dr. Genevieve Davies","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Commissioned by Ann Mollo and worn as a brooch in her photographic portrait of 1969 by Michael Seymour, in the collection of the National Portrait Gallery.","historicalContext":"","briefDescription":"Pendant; gold, topaz crystals and garnets; designed and made by David Thomas; London, 1967-8","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["M.1:1-2009","M.1:2-2009","M.1:3-2009"],"accessionNumberNum":"1","accessionNumberPrefix":"M","accessionYear":2009,"otherNumbers":[{"type":{"text":"Catalogue number","id":"THES53144"},"number":"p.11 (David Thomas. Goldsmith and Jeweller catalogue)"}],"copyNumber":"","aspects":["WHOLE","pendant","pendant chain","pendant chain extension"],"assets":[],"recordModificationDate":"2025-05-21","recordCreationDate":"2009-04-02","availableToBook":false}}