{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O21628"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O21628/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AT7740/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AT7740/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AT7740","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019MJ0359","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O21628/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O21628","accessionNumber":"514-1933","objectType":"Photograph","titles":[{"title":"The office in William Burges's chambers, 15 Buckingham Street, London","type":""}],"summaryDescription":"","physicalDescription":"Photograph of William Burges's office, with a fireplace at right, a desk and chair in background left with a stained glass panel in front and a Japanese cabinet to the side,  and a chair at left in the space between windows. Light entering thought windows at left. Walls decorated with murals","artistMakerPerson":[{"name":{"text":"Bedford, Francis","id":"A2618"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Albumen Print","categories":[{"text":"ELISE","id":"THES48961"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AT7740","2019MJ0359"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"26","box":"A"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1876","earliest":"1876-01-01","latest":"1876-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"26.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"33.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Burges was the most mediaevalising of all the Gothic Revival architects of latter part of the nineteenth century. His chambers, which he decorated between 1858 and 1871, were in a seventeenth century riverside building in an area of London popular with architects, artists and engineers. The flat medieval-style murals were painted in 1861, probably by N. H. J. Westlake and the stained glass was designed by Edward Burne-Jones. The side chair is a Burges design. The Japanese cabinet and the classical figure are evidence of Burges's wide-ranging interests, many of which fed through into his designs.\r\n[Stephen Astley, British Design at Home, p.63]","historicalContext":"","briefDescription":"Photograph, 'The Office in William Burges's chambers', Anon., 1876","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"London","id":"x28980"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"offices","id":"AAT180734"},{"text":"fireplaces","id":"AAT52267"},{"text":"desks","id":"AAT39338"},{"text":"chairs","id":"AAT37896"},{"text":"chairs","id":"AAT37772"},{"text":"murals","id":"AAT33644"},{"text":"stained glass","id":"AAT10853"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Anonymous\r\nWilliam Burges’s Office, 15 Buckingham Street, London\r\nAbout 1861\r\n\r\nWilliam Burges set up his own architectural practice in 1856. Although he built little, he was an influential proponent of the Gothic Revival style. He also designed furniture, several examples of which are in the V&A’s collection. The murals in his office were probably painted by N.H.J. Westlake and the stained glass was designed by Edward Burne-Jones. [56 words]\r\n\r\nAlbumen print\r\nMuseum no. 514-1933","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["514-1933"],"accessionNumberNum":"514","accessionNumberPrefix":"","accessionYear":1933,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2000-02-03","availableToBook":false}}