{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O214102"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O214102/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HN5507/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HN5507/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2015HN5507","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O214102/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O214102","accessionNumber":"E.89-1994","objectType":"Photograph","titles":[{"title":"Mrs. Herbert Duckworth","type":"generic title"},{"title":"Julia Jackson","type":"generic title"}],"summaryDescription":"Julia Margaret Cameron's career as a photographer began in 1863 when her daughter gave her a camera. Cameron began photographing everyone in sight. Because of the newness of photography as a practice, she was free to make her own rules and not be bound to convention. The kinds of images being made at the time did not interest Cameron. She was interested in capturing another kind of photographic truth. Not one dependent on accuracy of sharp detail, but one that depicted the emotional state of her sitter.\r\n\r\nCameron liked the soft focus portraits and the streak marks on her negatives, choosing to work with these irregularities, making them part of her pictures.  Although at the time Cameron was seen as an unconventional and experimental photographer, her images have a solid place in the history of photography.\r\n\r\nMost of Cameron's photographs are portraits. She used members of her family as sitters and made photographs than concentrated on their faces. She was interested in conveying their natural beauty, often asking female sitters to let down their hair so as to show them in a way that they were not accustomed to presenting themselves. In addition to making stunning and evocative portraits both of male and female subjects, Cameron also staged tableaux and posed her sitters in situations that simulated allegorical paintings.\r\n","physicalDescription":"A photograph of a woman (Mrs. Herbert Duckworth) shown from the shoulders up with her hair tied back, looking over her left shoulder.","artistMakerPerson":[{"name":{"text":"Cameron, Julia Margaret","id":"A8214"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"V&A","id":"AUTH347589"},"association":{"text":"printer and publisher","id":"x35446"},"note":""},{"name":{"text":"Philadelphia Museum of Art","id":"C2502"},"association":{"text":"printer and publisher","id":"x35446"},"note":"This portfolio contains sixteen hand-pulled dust-grain photogravures of rare masterpieces from Britain's greatest photographers, published in association with the Victoria and Albert Museum and the Philadelphia Museum of Art. It features important works by nineteenth-century masters of the medium."}],"artistMakerPeople":[],"materials":[{"text":"rag paper","id":"AAT14130"}],"techniques":[{"text":"photogravure","id":"AAT53207"}],"materialsAndTechniques":"Hand-pulled dust-grain photogravure","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"},{"text":"Woman Artist","id":"THES387590"},{"text":"Woman photographer","id":"THES380381"}],"styles":[{"text":"Victorian","id":"AAT21232"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2015HN5507"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"3","box":"A"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1867","earliest":"1867-01-01","latest":"1867-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""},{"date":{"text":"1985","earliest":"1985-01-01","latest":"1985-12-31"},"association":{"text":"printed and published","id":"x35383"},"note":""}],"associatedObjects":[{"object":{"text":"206-1969","id":"O81187"},"association":"version"}],"creditLine":"Given by Mark Haworth-Booth, 1994","dimensions":[{"dimension":"Height","value":"34.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"26.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"50.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"41","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"Size of image: 34.5 x 26.2 cm\nSize of sheet: 50.7 x 41 cm","marksAndInscriptions":[],"objectHistory":"Gift of Mark Haworth-Booth, 1994\r\n\r\nThe original albumen print is in the collection of  Beaumont Newhall.","historicalContext":"This print is part of a portfolio containing sixteen hand-pulled dust-grain photogravures of rare masterpieces from Britain's greatest photographers, published in association with the Victoria and Albert Museum and the Philadelphia Museum of Art. It features important works by nineteenth-century masters of the medium","briefDescription":"Photograph by Julia Margaret Cameron, 'Mrs. Herbert Duckworth' (Julia Jackson), from the portfolio 'The Golden Age of British Photography', photogravure, 1867, printed 1985","bibliographicReferences":[{"reference":{"text":"Cox, Julian and Colin Ford, with contributions by Joanne Lukitsh and Philippa Wright. <u>Julia Margaret Cameron: The Complete Photographs</u>. London: Thames &amp; Hudson, in association with The J. Paul Getty Museum, Los Angeles and The National Museum of Photography, Film & Television, Bradford, 2003. ISBN: 0-500-54265-1","id":"AUTH321348"},"details":"cat. no. 311, p. 220","free":""},{"reference":{"text":"","id":""},"details":"","free":"Plate 12 in <u>The Golden Age of British Photography 1839-1900</u>, a portfolio of 16 hand-pulled photogravures printed in 1985 \"To accompany a major exhibition presented by the Victoria and Albert Museum, London, and the Philadelphia Museum of Art. This exhibition will also appear at the Museum of Fine Arts, Houston; the Minneapolis Institute of Arts; the Pierpont Morgan Library, New York; and the Museum of Fine Arts, Boston\""}],"production":"This photogravure is part of a portfolio containing sixteen hand-pulled dust-grain photogravures of rare masterpieces from Britain's greatest photographers, published in association with the Victoria and Albert Museum and the Philadelphia Museum of Art. It features important works by nineteenth-century masters of the medium.","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Julia Jackson","id":"N9003"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"woman","id":"x35642"},{"text":"portrait","id":"AAT15637"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.89-1994"],"accessionNumberNum":"89","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[{"type":{"text":"Plate number","id":"THES51155"},"number":"12"}],"copyNumber":"300 and 30 Artist's proofs","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-20","recordCreationDate":"2009-04-01","availableToBook":false}}