{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O212252"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O212252/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JC0740/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JC0740/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2016JC0740","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O212252","accessionNumber":"E.2879-1995","objectType":"Photograph","titles":[{"title":"Weegee the Famous","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"Black and white photograph depicting a tight head-shot style portrait of a man with white hair holding a camera to his right eye. The camera is inscribed with the word 'Zenith' and the man has a cigarette hanging out of his mouth.","artistMakerPerson":[{"name":{"text":"Richard Sadler","id":"A16320"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"gelatin silver process","id":"AAT139114"}],"materialsAndTechniques":"Gelatin silver print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"}],"styles":[{"text":"art photography","id":"AAT178594"},{"text":"20th century second half","id":"x44295"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2016JC0740"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"990","box":"I"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Coventry","id":"x32527"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1963","earliest":"1963-01-01","latest":"1963-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""},{"date":{"text":"late 1970s","earliest":"1975-01-01","latest":"1979-12-31"},"association":{"text":"printed","id":"x46159"},"note":""}],"associatedObjects":[],"creditLine":"Given by the artist","dimensions":[{"dimension":"Width","value":"23.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"23.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"28","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Height","value":"35.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"<b>Recto:</b>\r\nBottom left, black ink: ''89'\r\nBottom right, signed in black ink: 'Richard Sadler'\n","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Given to the museum by Richard Sadler as part of a group of three portraits of Weegee","historicalContext":"","briefDescription":"Richard Sadler, 'Weegee the Famous', Coventry, 1963, printed late 1970s. Gelatin silver print from a group of three portraits of Weegee given to the V&A by Sadler","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"Provided by Sadler to the V&A in 2002","free":"Tessa Sidey, late Curator (Fine Art) at Birmingham Museum & Art Gallery:\r\n\r\n'A portrait that suggests both homage, from one photographer to another, and construct about the photographic vision. Sadler focuses on the face and direct gaze of the famous American photographer Weegee. One eye is open, alert and fixed on the visible world, while the second \"framed\" eye is the camera itself, Weegee's Zenith.  We, the viewers, appear to be the point of study for Weegee at the same time as Sadler is studying his fellow practitioner. Or is this portrait also encapsulating the essential relationship between subject, photographer and viewer? Weegee's eye and the essential prop of his trade are inter-dependent with us in our real space, as is Sadler's; the construct is both finite and infinite.'"}],"production":"Negatives 1960, prints late 1970's\nSeries Date: 1960 - late 1970s","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Weegee, Arthur Fellig","id":"A11966"}],"associatedPerson":[{"text":"weegee","id":"A11966"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"camera","id":"AAT22636"},{"text":"cameras","id":"AAT22638"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Richard Sadler (born 1927)\r\nWeegee the Famous, Coventry\r\n1963\r\n\r\nIn the 1940s, New York press photographer\r\nWeegee began stamping the backs of his\r\nphotographs with ‘Weegee the Famous’. By\r\n1963, when he visited Coventry, his fame was\r\ninternational. His trip coincided with ‘Russian\r\nCamera Week’ at the Owen Owen department\r\nstore. The Zenit 3M he holds to his eye was a\r\nnewly-introduced Russian camera.\r\n\r\nGelatin silver print (printed 1970s)\r\nGiven by Richard Sadler\r\nMuseum no. E.2879-1995","date":{"text":"23/7/2016-5/3/2017","earliest":"2016-07-23","latest":"2017-03-05"}}],"partNumbers":["E.2879-1995"],"accessionNumberNum":"2879","accessionNumberPrefix":"E","accessionYear":1995,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-11","recordCreationDate":"2009-03-31","availableToBook":false}}