{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O206877"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O206877/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LA1476/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LA1476/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018LA1476","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O206877/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O206877","accessionNumber":"E.794-1995","objectType":"Photograph","titles":[{"title":"Portrait of a Woman, inscribed 'Annie, Sister'","type":"generic title"}],"summaryDescription":"The carte de visite was patented in 1854 by the French photographer André-Adolphe-Eugène Disdéri, and soon became the most common type of photograph. Between four and six miniature portraits could be taken on one glass plate negative. Sitters then chose their favourites, which were printed, cut out and mounted onto calling cards. It was fashionable to exchange and collect images of family, friends, royalty and celebrities, into specially designed albums.","physicalDescription":"Cartes-de-visite portrait of a woman reading, with her chin resting on a single clenched fist.","artistMakerPerson":[{"name":{"text":"Debenham, Arthur","id":"AUTH327340"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"photography","id":"AAT54225"},{"text":"albumen","id":"AAT133274"}],"materialsAndTechniques":"Albumen print","categories":[{"text":"Portraits","id":"THES48906"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018LA1476"],"imageResolution":"high","galleryLocations":[{"current":{"text":"512M","id":"THES49774"},"free":"","case":"MX8","shelf":"290D","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"carte-de-visite","id":"AAT127141"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Isle of Wight","id":"x28925"},"association":{"text":"photographed","id":"x30151"},"note":"Ryde, Isle of Wight"}],"productionDates":[{"date":{"text":"1860s","earliest":"1860-01-01","latest":"1869-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"103","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"62","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Arthur Debenham, 'Portrait of a Woman, inscribed 'Annie, Sister'', ca. 1860s","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"cartes de visite","id":"AAT127141"},{"text":"portrait","id":"AAT15637"},{"text":"reading","id":"AAT248178"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre 2018-20:</b>\n\nWilliam Carrick; Ashford Brothers & Co.; Cornelius Jabez Hughes; J.J. Rugg; R. Green; A.W. Turner; J.J. Mayall; Edwards & Simonton; Gregory & Eddy; T. Heaviside; R. James; J. Porter; Ross & Pringle; Southwell Brothers; Enrico Van Lint; Camille Silvy; Elliott & Fry; J. Chaufly; Hills & Saunders; Arthur Debenham; unknown photographers\r\nCartes de visite\r\n1850s–70s\r\n\r\nThe carte de visite was patented in 1854 by the French photographer André-Adolphe-Eugène Disdéri, and soon became the most common type of photograph. Between four and six miniature portraits could be taken on one glass plate negative. Sitters then chose their favourites, which were printed, cut out and mounted onto calling cards. It was fashionable to exchange and collect images of family, friends, royalty and celebrities, into specially designed albums.\r\n\r\nAlbumen prints\r\nMuseum nos. E.625, 539, 794, 656, 638, 573, 670, 585, 619, 772, 731, 745, 720, 792, 793, 580, 533, 609, 671, 615, 614, 667, 495, 651, 493, 583, 639, 620, 589, 532-1995; 226-1967; E.514, 30-2009\r\n","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.794-1995"],"accessionNumberNum":"794","accessionNumberPrefix":"E","accessionYear":1995,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-11","recordCreationDate":"2009-03-24","availableToBook":false}}