{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O20276"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O20276/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BC5167/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BC5167/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BC5167","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O20276/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O20276","accessionNumber":"IS.138-1999","objectType":"Figure","titles":[{"title":"Sculpture","type":"Generic title"}],"summaryDescription":"The figure of Sakyamuni Buddha wears a monastic robe that clings to the body in a convention derived from earlier north Indian, post Gupta period, sculptures. Both hands are raised in the double gesture of vitarka mudra expressing exposition of a point of doctrine. The double vitarka mudra was a Dvaravati innovation which remained popular for many centuries.","physicalDescription":"Standing figure of the Buddha preaching, Dvaravati culture.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper alloy","id":"AAT10942"}],"techniques":[],"materialsAndTechniques":"","categories":[],"styles":[{"text":"Dvaravati","id":"AAT19204"}],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2006BC5167"],"imageResolution":"high","galleryLocations":[{"current":{"text":"47A (VA)","id":"THES49797"},"free":"","case":"CA001","shelf":"","box":""}],"partTypes":[[{"text":"Figure","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Thailand","id":"x30017"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"8th century-9th century","earliest":"0700-01-01","latest":"0900-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"22.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"9.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased from Monica Gunter, via Danart, beneficiary of the estate of her father Alex Biancardi.\n\r\nThe purchase was made possible with the assistance of Jean-Michel Beurdeley, Fausta and John Eskenazi, Alexander Gotz, Henry Ginsburg, Jonathan Hope, Peter Marks, Anna-Maria and Fabio Rossi, Spink and Son Ltd, Tom and Danielle White, Doris Wiener and an anonymous donor. \n\nAlexander Biancardi (1924–1999) was a collector and dealer who had a particualr in interest in ancient and medieval religious sculpture from South and South-East Asia. The V&A holds a substantial group of objects associated with him which were acquired through purchases, gifts, and bequests from Biancardi and his family between the late 1980s and late 1990s. Several of these objects are currently on display.\r\n\r\nBorn in Alexandria, Egypt, Biancardi moved to Australia in 1947, where he entered the textile trade. In the early 1960s, he relocated to France and worked for a Dutch textile company with business interests in Asia. His exposure to the region led him to begin collecting Asian art in the 1950s, a pursuit he continued into the 1990s. He returned to Australia later in life.\r\n","historicalContext":"","briefDescription":"Standing figure of the Buddha preaching.","bibliographicReferences":[],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Buddha","id":"N756"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"Buddhist","id":"AAT73738"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"STANDING BUDDHA\r\nBronze\r\nDvaravati kingdom, Central Thailand\r\nCa. 8th century\r\n\r\nIS 138-1999\r\n\r\n\r\nThe figure of Sakyamuni Buddha wears a monastic robe that clings to the body in a convention derived from earlier north Indian, post Gupta period, sculptures. Both hands are raised in the double gesture of vitarka mudra expressing exposition of a point of doctrine. The double vitarka mudra was a Dvaravati innovation which remained popular for many centuries. \r\n\r\n","date":{"text":"1/10/2008","earliest":"2008-10-01","latest":"2008-10-01"}}],"partNumbers":["IS.138-1999"],"accessionNumberNum":"138","accessionNumberPrefix":"IS","accessionYear":1999,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2021MU8331"],"recordModificationDate":"2026-06-05","recordCreationDate":"2000-01-27","availableToBook":false}}