{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O202023"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O202023/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PG3899/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PG3899/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2025PG3899","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O202023","accessionNumber":"E.2062-1992","objectType":"Photograph","titles":[{"title":"The Ghosh music room","type":"assigned by artist"}],"summaryDescription":"Rosalind Fox Solomon (1930-2025) was an American photographer based in New York City. She was born in Highland Park, Illinois and moved to Chattanooga, Tennessee where she began making photographs in the late 1960s. In 1977, she relocated to Washington, D.C. and studied privately with photographer, Lisette Model during frequent visits to New York City.  \n\r\nSolomon photographed all over the world, documenting human suffering, ritual, survival, and struggle. Her photographs emphasise her ability to interpret and capture the complex social landscapes of the places she visits, as well as the obsessions and anxieties that travel with her. \r\nWhile she was a fellow at the American Institute of Indian Studies in the 1980s she travelled to Kolkata, India where she photographed the community and its surroundings. With focus on the relationship between physical representations of Hindu deities and Indian people, this body of work is a manifestation of her belief that humans reveal their inner lives and key elements of their culture through their sacred objects. \r\n","physicalDescription":"A photograph of a room with framed portraits of various men covering the walls. There is a table in the centre with seven chairs around it.  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