{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O19952"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O19952/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AL8347/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AL8347/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AL8347","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BC7874","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O19952","accessionNumber":"E.465-1999","objectType":"Wallpaper","titles":[{"title":"Lover's Rock","type":"assigned by artist"}],"summaryDescription":"At the age of 25 Sonia Boyce became the first black woman to have her work purchased by the Tate Gallery for its collection. Her work addresses issues of identity and the relationship between public and private space. References to domesticity are often made through the use of wallpaper. \r\n\r\nIn this piece Boyce uses blind embossing – stamping an impression into the paper, leaving raised areas – to create the image, which is the text of a popular song, ‘Hurt So Good’ (1975) by Susan Cadogan. Boyce intends the paper to evoke the experience of West Indian house parties, where couples dance together, leaving the wallpaper faintly marked where they press against it. These marks she sees as evidence of their physical and emotional engagement with the place and the music, and of the intensity of love itself, sensual but sometimes painful.","physicalDescription":"Blind-embossed wallpaper, part three of a set of six","artistMakerPerson":[{"name":{"text":"Boyce, Sonia","id":"A2839"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"blind embossed","id":"AAT178639"}],"materialsAndTechniques":"Blind embossing on wallpaper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Wall coverings","id":"THES48878"},{"text":"Black History","id":"THES48989"},{"text":"Installation art","id":"THES48934"},{"text":"Caribbean","id":"THES286921"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AL8347","2006BC7874"],"imageResolution":"low","galleryLocations":[{"current":{"text":"514A","id":"THES49773"},"free":"","case":"SH41","shelf":"","box":""}],"partTypes":[[{"text":"Wallpaper","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"UK","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1998","earliest":"1998-01-01","latest":"1998-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"E.463-1999","id":"O19949"},"association":""},{"object":{"text":"E.464-1999","id":"O19950"},"association":""},{"object":{"text":"E.466-1999","id":"O19953"},"association":""},{"object":{"text":"E.467-1999","id":"O19954"},"association":""},{"object":{"text":"E.468-1999","id":"O19955"},"association":""}],"creditLine":"","dimensions":[{"dimension":"Length","value":"305","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"drop","note":""},{"dimension":"Width","value":"56.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"roll","note":""},{"dimension":"Height","value":"14.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Width","value":"48","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""}],"dimensionsNote":"the printed area only forms a small part of the entire drop","marksAndInscriptions":[{"content":"'you take my name and you spread lies in the street \r\nooh anything you want to do, I say is alright with me \r\nthen you turn right around and make sweet love to me \r\nooh you take it, show what's good to me \r\nooh baby I don't want you to ever quit \r\nit ain't no good till it hurts a little bit'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"blind embossing","position":"","script":"","translation":"","transliteration":"","type":"Inscription; decoration","note":"Inscription; decoration; blind embossing"}],"objectHistory":"","historicalContext":"","briefDescription":"One of six drops of blind embossed wallpaper which collectively comprise the artwork 'Lover's Rock' by Sonia Boyce, 1998","bibliographicReferences":[],"production":"The work was made while Boyce was artist in Residence at the University of Manchester, which has a fine collection of historic wallpapers in the Whitworth Art Gallery.","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"presence","id":"x35643"},{"text":"absence","id":"x35644"},{"text":"love","id":"AAT55165"},{"text":"music","id":"x35606"},{"text":"dancing","id":"x37546"},{"text":"visibility","id":"x37547"},{"text":"invisibility","id":"x37548"},{"text":"sexuality","id":"AAT55187"}],"contentLiteraryRefs":["'Hurt So Good' Lover's Rock song title by Susan Cadogan, 1975."],"galleryLabels":[],"partNumbers":["E.465-1999"],"accessionNumberNum":"465","accessionNumberPrefix":"E","accessionYear":1999,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-04","recordCreationDate":"2000-01-18","availableToBook":false}}