{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O19949"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O19949/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BC8152/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BC8152/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BC8152","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BC8151","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BC8150","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BC8148","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BC7874","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O19949","accessionNumber":"E.463-1999","objectType":"Wallpaper","titles":[{"title":"Lover's Rock","type":"assigned by artist"}],"summaryDescription":"At the age of 25 Sonia Boyce became the first black woman to have her work purchased by the Tate Gallery for its collection. Her work addresses issues of identity and the relationship between public and private space. References to domesticity are often made through the use of wallpaper. \r\n\r\nIn this piece Boyce uses blind embossing – stamping an impression into the paper, leaving raised areas – to create the image, which is the text of a popular song, ‘Hurt So Good’ (1975) by Susan Cadogan. Boyce intends the paper to evoke the experience of West Indian house parties, where couples dance together, leaving the wallpaper faintly marked where they press against it. These marks she sees as evidence of their physical and emotional engagement with the place and the music, and of the intensity of love itself, sensual but sometimes painful.","physicalDescription":"Blind-embossed wallpaper, part one of a set of six","artistMakerPerson":[{"name":{"text":"Boyce, Sonia","id":"A2839"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"blind embossing","id":"AAT178639"}],"materialsAndTechniques":"Blind embossing on wallpaper","categories":[{"text":"Installation art","id":"THES48934"},{"text":"Prints","id":"THES48903"},{"text":"Wall coverings","id":"THES48878"},{"text":"Black History","id":"THES48989"},{"text":"Caribbean","id":"THES286921"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BC8152","2006BC8151","2006BC8150","2006BC8148","2006BC7874"],"imageResolution":"low","galleryLocations":[{"current":{"text":"514A","id":"THES49773"},"free":"","case":"SH41","shelf":"","box":""}],"partTypes":[[{"text":"Wallpaper","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United Kingdom","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1998","earliest":"1998-01-01","latest":"1998-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"E.464-1999","id":"O19950"},"association":"Set"},{"object":{"text":"E.465-1999","id":"O19952"},"association":"Set"},{"object":{"text":"E.466-1999","id":"O19953"},"association":"Set"},{"object":{"text":"E.467-1999","id":"O19954"},"association":"Set"},{"object":{"text":"E.468-1999","id":"O19955"},"association":"Set"}],"creditLine":"","dimensions":[{"dimension":"Length","value":"305","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"drop","note":""},{"dimension":"Width","value":"56.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"roll","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'first you take my heart in the palm of your hand and squeeze it tight then you take my mind and play with it all night / you take my pride and you throw it up against the wall / then you take me in your arms and tease me till I roll up in a ball I'm not complaining on what you're doing you see cos this hurting feeling is oh so good to me'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"Inscription; decoration","note":"Inscription; decoration"}],"objectHistory":"","historicalContext":"","briefDescription":"One of six drops of blind embossed wallpaper which collectively comprise the artwork 'Lover's Rock' by Sonia Boyce, 1998","bibliographicReferences":[],"production":"The work was made while Boyce was artist in Residence at the University of Manchester, which has a fine collection of historic wallpapers in the Whitworth Art Gallery.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"music","id":"x35606"},{"text":"dancing","id":"x37546"},{"text":"visibility","id":"x37547"},{"text":"invisibility","id":"x37548"},{"text":"sexuality","id":"AAT55187"},{"text":"presence","id":"x35643"},{"text":"absence","id":"x35644"},{"text":"love","id":"AAT55165"}],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.463-1999"],"accessionNumberNum":"463","accessionNumberPrefix":"E","accessionYear":1999,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LU9250"],"recordModificationDate":"2025-11-04","recordCreationDate":"2000-01-18","availableToBook":false}}