{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O198462"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O198462/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2023NP2649/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2023NP2649/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2023NP2649","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2011EY4783","copyright":"©Victoria and Albert Museum, London/Josef Albers","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O198462","accessionNumber":"E.59:8-1994","objectType":"Print","titles":[{"title":"Variant VIII from  the suite of ten plates  'Ten Variants'","type":"assigned by artist"}],"summaryDescription":"Josef Albers became one of the most influential figures of the 20th century avant-garde. He worked in a variety of media but has become widely recognised through his later printed work, based  on the exploration of  colour. \r\n\r\n In 1949  he wrote a definitive text on colour theory (which he used as a preface to this suite 'Ten Variants') and soon after began work on the series of coloured squares and rectangles which came to dominate his work and which explored the idea of colour as an illusion, depending on context. \"We do not  see colours as they really are\" he wrote \"in our perception they alter one another\"  Although he began his experiments in this field with paint, he came to depend on the planographic print processes, particularly screen-print, because through them consistent evenness of colour could be produced easily and with great speed.","physicalDescription":"rectangular (landscape) format arrangement of coloured rectangles against a coloured ground. Colours: orange, brown, black.","artistMakerPerson":[{"name":{"text":"josef albers","id":"A6763"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Ives-Sillman, Inc.","id":"A20633"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"colour screenprint on paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[{"text":"Geometric Abstraction","id":"x35363"},{"text":"Abstract perceptual","id":"AAT22195"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2023NP2649","2011EY4783"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"DR","shelf":"98","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Connecticut","id":"x29781"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1969","earliest":"1969-01-01","latest":"1969-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"E.59:1-1994","id":"O198443"},"association":"Set"},{"object":{"text":"E.59:2-1994","id":"O198449"},"association":""},{"object":{"text":"E.59:3-1994","id":"O198450"},"association":""},{"object":{"text":"E.59:4-1994","id":"O198451"},"association":""},{"object":{"text":"E.59:5-1994","id":"O198453"},"association":""},{"object":{"text":"E.59:6-1994","id":"O198454"},"association":""},{"object":{"text":"E.59:7-1994","id":"O198461"},"association":""},{"object":{"text":"E.59:9-1994","id":"O198463"},"association":""},{"object":{"text":"E.59:10-1994","id":"O198465"},"association":""},{"object":{"text":"E.59:11-1994","id":"O198467"},"association":"Part"},{"object":{"text":"E.59:12-1994","id":"O198468"},"association":"Part"}],"creditLine":"Given by the Josef Albers Foundation","dimensions":[{"dimension":"Height","value":"27.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Width","value":"30.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Height","value":"43.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"43.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Blind stamped with the publisher's mark and stamped on the verso with its serial number within the set."}],"objectHistory":"","historicalContext":"","briefDescription":"Josef Albers: colour screenprint plate 8 from 'Ten Variants' 1969","bibliographicReferences":[],"production":"This suite is accompanied by  a preface and portfolio  case.","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.59:8-1994"],"accessionNumberNum":"59","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[{"type":{"text":"","id":""},"number":"serial number"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-02","recordCreationDate":"2009-03-06","availableToBook":false}}