{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O193195"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O193195/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011EY8912/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011EY8912/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2011EY8912","copyright":"©Victoria and Albert Museum, London/Josef Albers","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O193195","accessionNumber":"E.57-1994","objectType":"Print","titles":[{"title":"Plate II from the suite of eight plates entitled White Line Squares (Series I)","type":"assigned by artist"}],"summaryDescription":"Josef Albers became one of the most influential figures of the 20th century avant-garde. He worked in a variety of media but has become widely recognised through his later printed work, based  on the exploration of  colour. \r\n\r\n In 1949  he wrote a definitive text on colour theory and soon after began work on the series of coloured squares and rectangles which came to dominate his work and which explored the idea of colour as an illusion, depending on context. \"We do not  see colours as they really are\" he wrote \"in our perception they alter one another\"  Although he began his experiments in this field with paint, he came to depend on the planographic print processes, particularly screen-print, because through them consistent evenness of colour could be produced easily and with great speed.","physicalDescription":"The colours in E.57 are greys. \r\n\r\nA set of grey squares of different hues nesting one within another. On the outer square is a superimposed square defined as a line drawing rather than a solid mass. It is drawn as a thin white line. The effect is to make the grey on one side of the white line appear tonally different (albeit very subtly) from the grey on the other side. The squares are nesting so that the margins at the top and sides are wider than those at the base.","artistMakerPerson":[{"name":{"text":"Albers, Josef","id":"A6763"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Gemini GEL","id":"A7110"},"association":{"text":"printer","id":"x30811"},"note":""},{"name":{"text":"Gemini GEL","id":"A7110"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"lithography","id":"AAT53271"}],"materialsAndTechniques":"Colour lithograph on paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[{"text":"Geometric abstraction","id":"x35363"},{"text":"Abstract, perceptual","id":"AAT22195"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011EY8912"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"250","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"USA","id":"x29333"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1966","earliest":"1966-01-01","latest":"1966-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[{"object":{"text":"E.58-1994","id":"O193196"},"association":""}],"creditLine":"Given by the Josef Albers Foundation","dimensions":[{"dimension":"Height","value":"39.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Width","value":"39.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Height","value":"52.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"52.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"A '66\r\nW-L-S II 125-125","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"1) Signature","note":"signed with the artist's monogram,  dated,  inscribed with initials of title and number; all in pencil.\r\nBlind stamped with the publisher's mark."}],"objectHistory":"","historicalContext":"","briefDescription":"Josef Albers: lithograph from the series 'White Line Squares (Series I)', American/German, 1966","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Catalogue Raisonne:  Nicolas Fox Weber [Ed.] and Brenda Danilowitz|: The Prints of Josef Albers. Connecticut, NewHaven, 2006. Cat. no.171.2"}],"production":"","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.57-1994"],"accessionNumberNum":"57","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[],"copyNumber":"125/125","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-11","recordCreationDate":"2009-02-27","availableToBook":false}}