{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O193171"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O193171/"}},"images":null,"see_also":null},"record":{"systemNumber":"O193171","accessionNumber":"E.56-1994","objectType":"Print","titles":[{"title":"K-G (Homage to the Square)","type":"assigned by artist"}],"summaryDescription":"Josef Albers became one of the most influential figures of the 20th century avant-garde. He worked in a variety of media but has become widely recognised through his later printed work, based  on the exploration of  colour. \r\n\r\n In 1949  he wrote a definitive text on colour theory and soon after began work on the series of coloured squares and rectangles which came to dominate his work and which explored the idea of colour as an illusion, depending on context. \"We do not  see colours as they really are\" he wrote \"in our perception they alter one another\"  Although he began his experiments in this field with paint, he came to depend on the medium of screen-print because its reliably consistent evenness of colour could be produced very easily and with great speed.","physicalDescription":"square format image, with four different coloured rectangles placed symmetrically, one inside the other. Each is a different tone of yellow/ ochre. They are  placed so that the borders of the squares in which they sit are roughly similar in relation to each other. The borders at the top are slightly wider than those at the sides and those at the sides slightly wider than those at the base.","artistMakerPerson":[{"name":{"text":"Albers, Josef","id":"A6763"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Sillmann, Si","id":"A24751"},"association":{"text":"printer","id":"x30811"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Ives-Sillman, Inc.","id":"A20633"},"association":{"text":"publisher","id":"x32600"},"note":""},{"name":{"text":"Kestner Gesellschaft","id":"A24752"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Colour screenprint on paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[{"text":"Geometric abstraction","id":"x35363"},{"text":"Abstract, perceptual","id":"AAT22195"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"239","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"USA","id":"x29333"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1966","earliest":"1966-01-01","latest":"1966-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[],"creditLine":"Given by the Josef Albers Foundation","dimensions":[{"dimension":"Height","value":"28","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Width","value":"28.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Height","value":"43.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"43.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"A '66\r\nK-G    322.350","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"1) Signature","note":"signed with the artist's monogram, and dated, in pencil and inscribed with title and number."}],"objectHistory":"","historicalContext":"","briefDescription":"Josef Albers:Colour screenprint: K-G (Homage to the Square). 1966","bibliographicReferences":[],"production":"K-G was printed by Si Sillmann of Ives-Sillmann. Homage to the Square was the name given to a huge corpus of work, which Albers began making around 1950, based on a mathematically determined format of several squares, which appear to be overlapping or nested within one another.","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.56-1994"],"accessionNumberNum":"56","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[],"copyNumber":"322/350","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-20","recordCreationDate":"2009-02-27","availableToBook":false}}