{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O190909"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O190909/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014HF6443/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014HF6443/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2014HF6443","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O190909","accessionNumber":"E.1962-1990","objectType":"Photograph","titles":[{"title":"Abstraction, Porch Shadows, Twin Lakes, Connecticut","type":"assigned by artist"},{"title":"Paul Strand the Formative Years, 1914-1917","type":"series title"}],"summaryDescription":"","physicalDescription":"A black and white photograph depicting shadows being cast through slatted porch railings onto what appears to be a garden table turned onto its side.","artistMakerPerson":[{"name":{"text":"Strand, Paul","id":"A11916"},"association":{"text":"photographer","id":"x43821"},"note":""},{"name":{"text":"Goodman, Jon","id":"AUTH332207"},"association":{"text":"printer","id":"x30811"},"note":"plates made by Jon Goodman from Paul Strand's enlarged internegtives made between 1916 and 1917 from his original negatives and printed under Goodman's supervision"}],"artistMakerOrganisations":[{"name":{"text":"Silver Mountain Foundation for the Arts","id":"AUTH332209"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"paper","id":"AAT14109"}],"techniques":[{"text":"Talbot-Klic","id":"AAT53207"}],"materialsAndTechniques":"Hand-pulled dust grain photogravure made by the Talbot-Klic photogravure process printed onto Lana Gravure paper","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2014HF6443"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"998","box":"G"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"USA","id":"x29333"},"association":{"text":"published","id":"x30682"},"note":"printed in either New York or Switzerland"},{"place":{"text":"Connecticut","id":"x29781"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1916","earliest":"1916-01-01","latest":"1916-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""},{"date":{"text":"1983","earliest":"1983-01-01","latest":"1983-12-31"},"association":{"text":"printed and published","id":"x35383"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"30.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"20.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <u>Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1990</u>","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Paul Strand, 'Abstraction, Porch Shadows, Twin Lakes, Connecticut', from the portfolio 'Paul Strand the Formative Years, 1914-1917', a portfolio of ten hand-pulled dust grain photogravures printed by Jon Goodman, published by the Silver Mountain Foundation with an introduction by Ben Lifson, USA, 1983, photographed 1916","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1990</u>"}],"production":"The film positives were made from enlarged internegatives made by Paul Strand between 1916 and 1917 from his original negatives of 1914-16. The plates were made by Jon Goodman and printed under his supervision at Atelier de Taille Douce, Saint-Preux, Switzerland and at the Photogravure workshop, Millerton, New York, on Lana Gravure paper from the Papeteries de Lana, Docelles, France.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"shadows","id":"AAT101917"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"20th century gallery label:\r\nE.1962-1990 \r\nAbstraction, porch shadows (Paul Strand)\r\n\r\nStrand pointed his camera downward in this photograph to emphasise the curves and rectangles of the subject.  This allows the viewer to observe the integration of solid structures and space.  Experiments with abstract form in photography like this, especially in Germany and America, introduced a new way of seeing during the first part of the 20th century","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.1962-1990"],"accessionNumberNum":"1962","accessionNumberPrefix":"E","accessionYear":1990,"otherNumbers":[],"copyNumber":"235/300","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-09","recordCreationDate":"2009-02-23","availableToBook":false}}