{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O190377"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O190377/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009BX3994/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009BX3994/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2009BX3994","copyright":"©Victoria and Albert Museum, London/Josef Albers","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O190377","accessionNumber":"E.48-1994","objectType":"Print","titles":[{"title":"Interlinear K 50","type":"assigned by artist"}],"summaryDescription":"Josef Albers became one of the most influential figures of the 20th century avant-garde, with his systematic presentation of spatial ambivalence and paradox, made through endless variations on geometric themes and juxtapositions of colour in the format of rectangle and square. \r\n\r\nThroughout the 1940s Albers developed  line-based structures into increasingly complex forms. Right-angles and parallel lines give way to converging or diverging lines and variable angles, and so spatial illusion also becomes more complex. \r\n\r\nHe continued this exploration throughout 1950s and early 1960s, when he also made prints  from mechanically engraved plastic or metal and sometimes as blind relief intaglios. By using a mechanical means of engraving his intention was to make the line as impersonal and therefore, as purely functional, as possible.","physicalDescription":"Image of a geometric construction of interlocking planes, drawn in white on a black ground. The left and right margins are mottled where the ink has not been applied to total opacity. The space created  is ambivalent.","artistMakerPerson":[{"name":{"text":"Albers, Josef","id":"A6763"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Hollander, Irwin","id":"A24607"},"association":{"text":"printer","id":"x30811"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Tamarind Lithography Workshop","id":"A24500"},"association":{"text":"printer","id":"x35446"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"lithograph on paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[{"text":"Geometric abstraction","id":"x35363"},{"text":"Abstract, perceptual","id":"AAT22195"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2009BX3994"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"290","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Los Angeles","id":"x29541"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1962","earliest":"1962-01-01","latest":"1962-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[],"creditLine":"Given by the Josef Albers Foundation","dimensions":[{"dimension":"Height","value":"48.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Width","value":"60.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"printed surface","note":""},{"dimension":"Height","value":"56.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"76","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Albers 1962\r\nInterlinear K 50","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"1) Signature","note":"signed and dated in pencil and inscribed with title and number. Blind stamped with the mark of the Tamarind Lithography Workshop and the printer, Irwin Hollander."}],"objectHistory":"","historicalContext":"","briefDescription":"Josef Albers: lithograph: Interlinear K 50 1962","bibliographicReferences":[],"production":"This print is one of a number prefixed 'Interlinear'.","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.48-1994"],"accessionNumberNum":"48","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[],"copyNumber":"10/20","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-09","recordCreationDate":"2009-02-20","availableToBook":false}}