{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O185146"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O185146/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BV8664/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BV8664/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BV8664","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O185146/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O185146","accessionNumber":"E.284-1962","objectType":"Print","titles":[{"title":"Le Rejeton Imperial  Le Serin (Parade-Inutilité)","type":"assigned by artist"},{"title":"La Ménagerie Impériale","type":"series title"}],"summaryDescription":"","physicalDescription":"Satirical print in which the Prince Imperial is depicted as a canary perched on a bicycle.  Print from a set of caricatures, broadsheets and illustrations in ten volumes.  Each volume is half-bound in red leather, gold tooled and stamped with imperial emblems, title etc.","artistMakerPerson":[{"name":{"text":"Hadol, Paul","id":"A24388"},"association":{"text":"caricaturist","id":"AAT25108"},"note":""},{"name":{"text":"Coulboeuf","id":"A36551"},"association":{"text":"printer","id":"x30811"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"lithography","id":"AAT53271"},{"text":"hand-colouring","id":"AAT133555"}],"materialsAndTechniques":"Hand-coloured lithograph on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Caricatures & Cartoons","id":"THES48983"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2008BV8664"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"GG","shelf":"208","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"printed","id":"x46159"},"note":""}],"productionDates":[{"date":{"text":"1870-1871","earliest":"1870-01-01","latest":"1871-12-31"},"association":{"text":"printed","id":"x46159"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"21.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"12","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions from: Lambert, Susan. <u>The Franco-Prussian War and The Commune in Caricature 1870-71</u>. catalogue of a collection of prints in the possession of the Department of Prints and Drawings of the Victoria and Albert Museum. London: Victoria and Albert Museum, 1971.","marksAndInscriptions":[{"content":"La Ménagerie Impériale.  'Le Rejeton Imperial  Le Serin (Parade-Inutilité)   Au Bureau des Annonces, 11, rue Taitbout. / Imp. Coulboeuf, Pari.'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Title, lettered above design."},{"content":"'No. 3'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Numbered"},{"content":"'H'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed."}],"objectHistory":"","historicalContext":"The Prince Imperial (1856-79) was the only child of the Emperor and Empress. The artist draws him as a <i>serin</i> [canary], a word which has a secondary sense of ‘ignoramus’.","briefDescription":"'Le Rejeton Imperial  Le Serin (Parade-Inutilité)'.  Satirical illustration by Paul Hadol  in which the Prince Imperial is depicted as a canary perched on a bicycle.  Hand-coloured lithograph, France, 1870-1871.","bibliographicReferences":[{"reference":{"text":"Lambert, Susan, <u>The Franco-Prussian War and The Commune in Caricature 1870-71: catalogue of a collection of prints in the possession of the Department of Prints and Drawings of the Victoria and Albert Museum</u>, London, V&A, 1971","id":"AUTH353267"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1962</u>. London: HMSO, 1964."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Napoleon, Eugene Louis Jean Joseph","id":"N4440"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"caricatures","id":"AAT15634"},{"text":"Canaries (birds)","id":"x36639"},{"text":"bicycle","id":"AAT212636"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Paul Hadol (1835-75)\r\n\r\nThe figure of the Republic draws back the curtain to reveal the personalities who have controlled France for the past 20 years, stating her opinion of them. To the right of the gap in the curtain hovers their leader, Napoleon III.\r\n\r\nThe Empress Eugénie, Countess of Montijo, married Napoleon III in 1853. This caricature plays on the double meaning of 'La Grue', either a crane or a woman of loose morals. In 1869 the Empress visited Suez for the opening of the canal. Princess Mathilde said that the journey was purely an 'opportunity to make eyes at some Eastern prince from her steamboat'.\r\n\r\nNapoleon III characterised as cowardly and ferocious.\r\n\r\nThe Prince Imperial was the only child of the Emperor and Empress. The artist draws him as a 'serin' [canary] a word which has a secondary sense of 'ignoramus'.\r\n\r\nLithographs, coloured by hand. From a series of 32. E.281-284-1962","date":{"text":"27/05/1971-10/10/1971","earliest":"1971-05-27","latest":"1971-10-10"}}],"partNumbers":["E.284-1962"],"accessionNumberNum":"284","accessionNumberPrefix":"E","accessionYear":1962,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-20","recordCreationDate":"2009-01-27","availableToBook":false}}