{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1830508"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1830508/"}},"images":null,"see_also":null},"record":{"systemNumber":"O1830508","accessionNumber":"S.1204-2026","objectType":"Postcard","titles":[{"title":"Sometime","type":""}],"summaryDescription":"Postcard for <i>Sometime</i> by Rida Johnson Young, music by Rudolf Friml. First produced, in England, at the Vaudeville Theatre, 5 February 1925, following the Shubert Theatre, New York, 4 October 1918. The actor Frank Tinney is shown in and out of blackface.\n\n‘Blackface’ is a style of theatrical makeup that originated in the United States around 1830 and which was based on racist stereotypes of African Americans. It was most commonly used in the minstrel performance tradition. White (and sometimes black) performers used burnt cork, greasepaint or shoe polish to blacken their skin and exaggerate their lips. The look was completed with ‘woolly’ wigs, gloves, tailcoats and/or ragged clothes. Blackface was a performance tradition in American theatre for over 100 years and was also popular overseas. Stereotypes embodied in the stock characters of blackface minstrelsy played a significant role in cementing and proliferating racist attitudes.","physicalDescription":"Photographic postcard.","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Stafford & Co. Ltd.","id":"A7614"},"association":{"text":"printers (people)","id":"AAT25732"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"ink","id":"AAT15012"}],"techniques":[{"text":"printing","id":"AAT53319"}],"materialsAndTechniques":"Printed ink on paper","categories":[{"text":"Entertainment and leisure","id":"THES48959"},{"text":"Theatre","id":"THES250537"},{"text":"Postcards","id":"THES259949"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":[],"imageResolution":"","galleryLocations":[{"current":{"text":"002","id":"THES402719"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"postcards","id":"AAT26816"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"Printed","id":"AAT53319"},"note":""}],"productionDates":[{"date":{"text":"1925","earliest":"1925-01-01","latest":"1925-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[],"creditLine":"Given by Michael Diamond","dimensions":[{"dimension":"Height","value":"130","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"80","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This object or record includes culturally sensitive imagery or text influenced by racial stereotyping. Stereotypes such as these have played a significant role in continuing harmful racist attitudes.","historicalContext":"","briefDescription":"Postcard for <i>Sometime</i>, Vaudeville Theatre, 1925","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[{"text":"Vaudeville Theatre","id":"THES258478"}],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["S.1204-2026"],"accessionNumberNum":"1204","accessionNumberPrefix":"S","accessionYear":2026,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-10-09","recordCreationDate":"2026-10-09","availableToBook":false}}