{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O182342"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O182342/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AP7956/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AP7956/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AP7956","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O182342","accessionNumber":"PH.1384-1980","objectType":"Photograph","titles":[{"title":"Songs of the Sky D<sub>9</sub>","type":"assigned by artist"},{"title":"Songs of the sky","type":"popular title"},{"title":"Songs of the Sky / Equivalent","type":"assigned by artist"},{"title":"Equivalents","type":"series title"}],"summaryDescription":"","physicalDescription":"A black and white photograph of a cloudscape.","artistMakerPerson":[{"name":{"text":"Stieglitz, Alfred","id":"A1097"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"photography","id":"AAT54225"},{"text":"gelatin silver process","id":"AAT139114"}],"materialsAndTechniques":"gelatin silver print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AP7956"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"996","box":"G"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"gelatin silver print","id":"AAT128695"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1923","earliest":"1923-01-01","latest":"1923-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"PH.1385-1980","id":"O182344"},"association":"Series"},{"object":{"text":"PH.366-1982","id":"O182338"},"association":"Series"},{"object":{"text":"PH.367-1982","id":"O182329"},"association":"Series"},{"object":{"text":"PH.368-1982","id":"O182339"},"association":"Series"},{"object":{"text":"PH.369-1982","id":"O182340"},"association":"Series"},{"object":{"text":"PH.370-1982","id":"O182341"},"association":"Series"},{"object":{"text":"PH.1384-1980","id":"O182342"},"association":"Series"},{"object":{"text":"E.896-2003","id":"O119366"},"association":"Series"},{"object":{"text":"E.893-2003","id":"O119189"},"association":"Series"},{"object":{"text":"E.892-2003","id":"O119188"},"association":"Series"},{"object":{"text":"E.891-2003","id":"O119136"},"association":"Series"}],"creditLine":"","dimensions":[{"dimension":"Height","value":"116","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"92","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"342","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"278","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"One of seven (Ph.366 to 370-1980 and Ph.1384 to 1385-1980) from the series 'Equvalents'. Studies of clouds and sun taken between 1927 and 1936.\r\nThe following is an abstract from \"Alfred Stieglitz's photography of clouds ('Equivalents') by Sarah Eden Greenough, a PhD dissertation from the University of New Mexico: \"In 1922 Alfred Stieglitz made 10 photographs of clouds, thus beginning a series of photographs that occupied his attention for the next eight years. The Equivalents, as he came to call them, have been hailed as his most important contribution to photography. His aim was not to distill the essence of clouds but to transform them into an abstract language of form expressive of his feelings.\"\r\nIn \"Alfred Stieglitz & Lake George. The American Place\", <u>History of Photography</u>, Summer 1991, Graham Clarke suggests that the Equivalents represented for Stieglitz \"A spiritual continuum untouched by 'the hand of man'\".","historicalContext":"","briefDescription":"Photograph by Alfred Stieglitz, 'Songs of the Sky D<sub>9</sub>', gelatin silver print, 1923","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Sara Eden Greenough <u>Alfred Stieglitz's photographs of clouds ('Equivalents')</u> University of New Mexico, PhD, 1984"},{"reference":{"text":"","id":""},"details":"","free":"Dorothy Norman, <u>Alfred Stieglitz: An American Seer</u> Aperture Books, New York, 1973."},{"reference":{"text":"","id":""},"details":"","free":"Jonathan Green <u>History of Photography, col 15, no. 2</u>, Summer 1991"},{"reference":{"text":"","id":""},"details":"","free":"\"The Collection of Dorothy Norman\", Aperture, vol 124 (pp.50-55), Summer 1991."},{"reference":{"text":"","id":""},"details":"","free":"Evelyn Roth \"From 291 to an American Place: a demonstration of the Stieglitz aesthetic\", <u>American Photographer</u>, vol 18 (p.33), June 1987."},{"reference":{"text":"","id":""},"details":"","free":"Greenough, Sarah. <i>Alfred Stieglitz: The Key Set</i>. New York:  Harry N. Abrams, Inc., 2002., vol. 1, 496 pp., iIl. ISBN  0810935333"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"clouds","id":"x30091"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This photograph by Stieglitz shows only the sky. The series of images demonstrates that remarkable photographs need not rely on unusual subjects. The images were intended to evoke a psychological or emotional state in the viewer. On the reverse of some of the prints in this series, Stieglitz wrote ‘all ways are up’. The phrase seems both to answer a practical concern, and to hint at the answer to a metaphysical question.","date":{"text":"20/11/2012","earliest":"2012-11-20","latest":"2012-11-20"}}],"partNumbers":["PH.1384-1980"],"accessionNumberNum":"1384","accessionNumberPrefix":"PH","accessionYear":1980,"otherNumbers":[{"type":{"text":"Alfred Stieglitz: The Key Set","id":"THES280734"},"number":"913"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-09","recordCreationDate":"2009-01-12","availableToBook":false}}