{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1809602"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1809602/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2026PP3788/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2026PP3788/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2026PP3788","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2026PP3789","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1809602/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1809602","accessionNumber":"","objectType":"Sculpture","titles":[{"title":"Bird of Paradise","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Hashimoto Chitaka","id":"AUTH408604"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Mother of pearl","id":"AAT11835"},{"text":"Wood","id":"AAT11914"},{"text":"Gold","id":"AAT11021"},{"text":"sterling silver","id":"AAT10977"},{"text":"Lacquer","id":"AAT14916"}],"techniques":[],"materialsAndTechniques":"<i>Urushi</i> (lacquer) with mother-of-pearl and gold sheet inlay, gold <i>maki-e</i> ('sprinkled pcture') and sterling silver on wood and dry-lacquer core","categories":[{"text":"Animals and wildlife","id":"THES250852"},{"text":"Sculpture","id":"THES48896"},{"text":"Lacquerware","id":"THES49004"}],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2026PP3788","2026PP3789"],"imageResolution":"high","galleryLocations":[{"current":{"text":"45","id":"THES49801"},"free":"","case":"CA015","shelf":"","box":""},{"current":{"text":"003","id":"THES398882"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Sculpture","id":"AAT47090"}],[{"text":"Storage box","id":"THES406935"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Toyama","id":"x32805"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2026","earliest":"2026-01-01","latest":"2026-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Presented by Art Fund","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Sculpture, 'Bird of Paradise', by Hashimoto Chitaka (b.1972), Toyama, Japan, 2026, lacquer, modern studio crafts; with textile wrapping and wooden storage box\r\n橋本千毅　《極楽鳥》　2026年","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Urushi Now: Contemporary Japanese Lacquer</b>\r\nHashimoto views mother-of-pearl as a versatile natural ‘force’, containing a vast spectrum of colour within a single material. Like shells, bird feathers show structural colour, where their colour comes from interactions with light rather than pigments. Hashimoto uses this shared iridescence to depict a bird of paradise, transforming it into a vibrant symbol of the cycle of life.","date":{"text":"30/04/2026","earliest":"2026-04-30","latest":"2026-04-30"}}],"partNumbers":["FE.61:1-2026","FE.61:2-2026"],"accessionNumberNum":"61","accessionNumberPrefix":"FE","accessionYear":2026,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-06-11","recordCreationDate":"2025-09-15","availableToBook":false}}