{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1805533"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1805533/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2026PP3472/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2026PP3472/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2026PP3472","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2026PP3470","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1805533","accessionNumber":"FE.124-2025","objectType":"Vessel","titles":[{"title":"After the Rain","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Nakata Mayu","id":"AUTH409914"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Polychrome urushi (lacquer) with silver, gold, tin and aluminium powders on dry-lacquer core","categories":[{"text":"Lacquerware","id":"THES49004"}],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2026PP3472","2026PP3470"],"imageResolution":"low","galleryLocations":[{"current":{"text":"45","id":"THES49801"},"free":"","case":"CA006","shelf":"","box":""}],"partTypes":[[{"text":"Vessel","id":"AAT193015"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Kanazawa","id":"x32149"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2025","earliest":"2025-01-01","latest":"2025-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Presented by Art Fund","dimensions":[{"dimension":"Height","value":"33","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"30.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"'After the Rain', lacquer vessel, by Nakata Mayu (b.1982), 2025, Kanazawa, Japan, modern studio crafts\r\n中田 真裕　《After the Rain》　2025年","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Urushi Now: Contemporary Japanese Lacquer</b>\r\nNakata’s surface treatment emulates the thundering winter sky of Kanazawa, where she lives. The sky’s shifting light is conveyed through <i>kinma</i>, a technique from Thailand and Myanmar incorporated into Kagawa’s <i>urushi</i> tradition, where Nakata studied the craft. In this method, the artist carves designs into the black <i>urushi</i> surface, fills the incisions with coloured layers and polishes it to remove excess <i>urushi</i>, producing a lustrous skyscape.","date":{"text":"30/04/2026","earliest":"2026-04-30","latest":"2026-04-30"}}],"partNumbers":["FE.124-2025"],"accessionNumberNum":"124","accessionNumberPrefix":"FE","accessionYear":2025,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-06-10","recordCreationDate":"2025-06-16","availableToBook":false}}