{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1800701"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1800701/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PG7900/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PG7900/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2025PG7900","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2025PJ0217","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2025PJ0214","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1800701","accessionNumber":"LOAN:AMERICASFOUNDATION.2770-2024","objectType":"Song Chart","titles":[],"summaryDescription":"","physicalDescription":"Song chart used by David Bowie for rehearsals and tour for <i>Earthling,</i> 1997. A rectangular, black plastic board in portrait orientation, with a strip of black velcro attached down the left and right sides; attached to this are 4 strips of black plastic covered in yellowed glow-in-the-dark plastic. Each strip has a song title handwritten on it in black ink.","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"plastic","id":"AAT14570"},{"text":"velcro","id":"x30257"},{"text":"phosphor","id":"AAT251060"},{"text":"ink","id":"AAT15012"},{"text":"adhesive","id":"AAT14801"},{"text":"glitter","id":"AAT183800"}],"techniques":[{"text":"moulding","id":"x46876"},{"text":"taping","id":"x39893"},{"text":"handwriting","id":"AAT252927"}],"materialsAndTechniques":"Moulded plastic with adhesive velcro, adhesive phosphorescent plastic, and handwritten ink","categories":[{"text":"David Bowie Archive","id":"THES394093"},{"text":"Entertainment and leisure","id":"THES48959"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2025PG7900","2025PJ0217","2025PJ0214"],"imageResolution":"low","galleryLocations":[{"current":{"text":"009","id":"THES317422"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"signs","id":"AAT123013"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United States of America","id":"x29333"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca.1997","earliest":"1992-01-01","latest":"2001-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"LOAN:AMERICASFOUNDATION.2769-2024","id":"O1800700"},"association":""},{"object":{"text":"LOAN:AMERICASFOUNDATION.2770-2024","id":"O1800701"},"association":""},{"object":{"text":"DBA/2/1/27/9","id":"ARC270188"},"association":""}],"creditLine":"Lent by the V&A Americas Foundation through the generosity of Jones/Tintoretto Entertainment Company LLC ","dimensions":[{"dimension":"Height","value":"61","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"41.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"1.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"LOOK BACK IN ANGER\nSCARY MONSTERS\nHALLO SPACEBOY\nI'M AFRAID OF AMERICANS","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"One song title is handwritten in black ink on each of the glow-in-the-dark strips."}],"objectHistory":"The <i>Earthling</i> tour commenced on the 7th June and ended on the 7th November, 1997. The tour spanned 21 countries, and 84 performances. The set list comprised of new tracks from the album <i>Earthling</i>, mixed in with older songs from Bowie's 1970s output. In these later tours, Bowie became known for changing his set list nightly to avoid static feeling performances.\r\n\r\nThree velcro set list chart 'song charts' were made so that Bowie and his band could easily re-order the set for the night. The glow in the dark coating on the strips meant that they could be seen from the wings of a stage. 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