{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O180047"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O180047/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HK0016/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HK0016/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2015HK0016","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O180047","accessionNumber":"E.710-1994","objectType":"Print","titles":[],"summaryDescription":"Wood engraving is also used today for small scale work, where clarity of design is paramount. Since the mid 1960s the Royal Mail has issued special decorated stamps. Wood engraving is particularly suited to stamp book covers which need to have a matt surface because of the mechanism of the vending machine. Matt board is however absorbent and therefore a strong design is needed. Harry Brockway's proofs demonstrate his use of the reduction method in order to print in two colours.","physicalDescription":"Book of stamps for Royal Mail, a series depicting 20th century Prime Ministers, this one Herbert Asquith and first in the series. A suffragette procession is depicted in the background. Lettered with the title, image printed in brown.","artistMakerPerson":[{"name":{"text":"Brockway, Harry","id":"A15584"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Royal Mail","id":"A24065"},"association":{"text":"commissioned by","id":"x28662"},"note":""},{"name":{"text":"Walsall Security Printers Ltd.","id":"A24068"},"association":{"text":"printer","id":"x30811"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"Colour offset lithograph","id":"x35425"}],"materialsAndTechniques":"Colur offset lithograph from a wood engraving on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Illustration","id":"THES48938"},{"text":"Images Online","id":"THES48937"},{"text":"Labels & packaging","id":"THES48927"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2015HK0016"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"GG","shelf":"68","box":"G"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1993","earliest":"1993-01-01","latest":"1993-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"E.713-1994","id":"O180058"},"association":"Original"},{"object":{"text":"E.714-1994","id":"O180062"},"association":"Original"},{"object":{"text":"E.715-1994","id":"O180064"},"association":"Original"}],"creditLine":"Given by Harry Brockway and the Royal Mail","dimensions":[{"dimension":"Height","value":"4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"unfolded","note":""},{"dimension":"Width","value":"10.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"unfolded","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Acquired in connection with the display A Fine Line - Commercial Wood Engraving in Britain, V&A, 10 October 1994 - 26 March 1995.\r\nR.P. No. 94/1940","historicalContext":"","briefDescription":"Book of stamps for Royal Mail, a series depicting 20th century Prime Ministers, colour offset lithograph after wood engraving by Harry Brockway; British, 1993.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>A Fine Line - Commercial Wood Engraving in Britain</i>, Victoria and Albert Museum, 10 Oct 1994 - 26 Mar 1995"}],"production":"Original cataloguer's note says 1991 however one proof is signed '93","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Asquith, Herbert Henry","id":"N1918"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"postage stamps","id":"AAT37321"},{"text":"suffragettes","id":"AAT136498"},{"text":"banners","id":"AAT195679"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"...\n\n<b>Harry BROCKWAY (born 1958)</b>\n\nSeries of 20th century prime ministers\nBooks of stamps and proofs for Royal Mail. 1991\nColour offset lithograph after wood engraving\nE.710-714-1994\nGiven by Harry Brockway and Royal Mail\n\nWood engraving is also used today for small scale work, where\nclarity of design is paramount. Since the mid 1960s the Royal Mail\nhas issued special, decorated stamps. The artwork for Yvonne\nSkargon's Roses shows how allowance was made in the engraving \nfor its photomechanical reproduction. Colour separations were used\nfor the colour. Wood engraving is particularly suited to stamp book\ncovers which need to have a matt surface because of the mechanism\nof the vending machine. Matt board is however absorbent and\ntherefore a strong design is needed. Harry Brockway's proofs\ndemonstrate his use of the reduction method in order to print\nin two colours.","date":{"text":"1994","earliest":"1994-01-01","latest":"1994-12-31"}}],"partNumbers":["E.710-1994"],"accessionNumberNum":"710","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2008-12-17","availableToBook":false}}