{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1799405"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1799405/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PD7687/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PD7687/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2025PD7687","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1799405","accessionNumber":"PH.68:2-2025","objectType":"Photograph","titles":[{"title":" Charles","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Juan Pablo Echeverri","id":"AUTH407602"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"","categories":[],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2025PD7687"],"imageResolution":"low","galleryLocations":[{"current":{"text":"315","id":"THES49535"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photographic print","id":"x34845"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Colombia","id":"x38558"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"2017","earliest":"2017-01-01","latest":"2017-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Purchase funded by the Photographs Acquisition Group","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph diptych by Juan Pablo Echeverri, ‘IDENTIDAD PAYASA DCharles Morrison’, from the series Identidad Payasa [Clown Identity] , inkjet prints mounted onto wooden frames, 2017","bibliographicReferences":[],"production":"Juan Pablo Echeverri was master of the self-portrait, which was central to his extraordinary creativity. Echeverri built a thoughtful and layered practice around the human body and the human face – usually his own – dressed up, pared down, transformed, transfixed and reframed. His work examines the constructed nature of identity, blurring the lines between freedom and control, the individual and the collective, and being seen or unseen.  \r\n\r\nThe series ‘Identitad Payasa [Clown Identity]’ comprises diptychs that show Echeverri alongside Mexican street clowns. A traditional part of Mexican subculture, street clowns develop specifically distinctive looks that form the basis of their trade. Echeverri commissioned them to style him exactly in their image, then photographed the clown and himself in a hyper-aestheticised manner – presenting himself as a copy, a reference, and an affirmation of non-conformity.  ","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["PH.68:2-2025"],"accessionNumberNum":"68","accessionNumberPrefix":"PH","accessionYear":2025,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-10-15","recordCreationDate":"2025-03-07","availableToBook":false}}