{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1792147"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1792147/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2024NX9573/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2024NX9573/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2024NX9573","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1792147","accessionNumber":"PH.3397-2024","objectType":"Photograph","titles":[{"title":"I shouldn't have gone away","type":"assigned by artist"}],"summaryDescription":"Maisie Cousins is a British artist whose work explores the space between the beautiful and the grotesque. Starting in 2021, she became an early adopter of the glitchy, unpredictable nature of the AI platform DALL-E. In her series ‘Walking Back to Happiness’ Cousins creates digital photocollages use DALL-E’s natural language descriptions, or prompts, to recreate missing childhood memories spent with her grandfather at Blobbyland, a now defunct British theme park. \n\nCousins’ imagery recalls the visual nostalgia of British seaside postcards and the hyper-saturated colour photographs of Martin Parr (1952) and John Hinde (1916-1997). From hundreds of generative artworks, Cousins has printed and framed a selection like small glossy family photographs, their stuck corners reminiscent of an old photo album. She describes the additive ‘euphoric hit’ of her randomised creative experimentations, which pay homage to the unconscious, improvised artistic methods of Surrealism.","physicalDescription":"A photograph made from AI, featuring a giant crab.","artistMakerPerson":[{"name":{"text":"Maisie Cousins","id":"AUTH404200"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"archival inkjet printing","id":"THES252788"}],"materialsAndTechniques":"Made with Dall-E","categories":[{"text":"Women artists","id":"THES387590"},{"text":"Women photographers","id":"THES380381"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2024NX9573"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"DR","shelf":"3","box":""}],"partTypes":[[{"text":"photographs","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"2023","earliest":"2023-01-01","latest":"2023-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Acquired as part of The Parasol Foundation Women in Photography Project","dimensions":[{"dimension":"Height","value":"8.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"8.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Print 87mm × 87mm with 3mm border \r\nFrame A5 148 x 210mm","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Maisie Cousins titled 'I shouldn't have gone away', 2023, archival pigment print on Fujiflex paper.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (T&H, V&A publishing, spring 2026)\r\n\r\nMaisie Cousins is a British artist whose work explores the space between the beautiful and the grotesque. Starting in 2021, she became an early adopter of the glitchy, unpredictable nature of the AI platform DALL-E. These digital photocollages use DALL-E’s ‘natural language’ descriptions, or prompts – which draw on the words and linguistic structures that humans use when we speak and write – to recreate missing family memories. Cousins’s imagery recalls the visual nostalgia of British seaside postcards and the hyper-saturated colour images of contemporary photographers Martin Parr and John Hinde. From hundreds of generative artworks , Cousins has printed and framed a selection like small glossy family photographs, their stuck corners reminiscent of an old photo album. She describes the additive ‘euphoric hit’ of her randomized creative experimentations, which pay homage to the unconscious, improvised artistic methods of Surrealism .","date":{"text":"03/12/2025","earliest":"2025-12-03","latest":"2025-12-03"}},{"text":"","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["PH.3397-2024"],"accessionNumberNum":"3397","accessionNumberPrefix":"PH","accessionYear":2024,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-03-26","recordCreationDate":"2024-12-03","availableToBook":false}}