{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1790722"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1790722/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PD7750/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PD7750/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2025PD7750","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2024PA3015","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1790722/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1790722","accessionNumber":"PH.6-2025","objectType":"photograph","titles":[{"title":"Sol Salin I","type":"assigned by artist"},{"title":"Les Dolines, 2016-2023","type":"series title"}],"summaryDescription":"Ilanit Illouz (b. 1977) lives and works in Paris. Her innovative and experimental series Les Dolines reflects upon the social, economic and political history of the Judean Desert close to the Israel-Palestine border. This land is now dry, having once been part of the dead sea which has lost over a third of its surface area over the last fifty years. The process has been greatly exacerbated by human impact and extractive processes, especially by the salt industry. Illouz reveals a transformed, almost lunar-like landscape, full of sinkholes, crevices and craters laden with salt deposits. She uses the salt to fossilise the print, creating a sculptural and crystallised effect. She is interested in the paradox of salt; as a mineral that burns, heals, preserves and has been used across everyday life, including to produce photosensitive paper. This geologically important area links back to the earliest years of photography, as it is the site where Bitumen of Judea was extracted and used for the earliest photographic practice by Joseph Nicéphore Niépce. \r\n","physicalDescription":"A photograph of an abstract black and white landscape, covered in salt crystals.","artistMakerPerson":[{"name":{"text":"Ilanit Illouz","id":"AUTH407340"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Print fossilised with salt","categories":[{"text":"Women artists","id":"THES387590"},{"text":"Women photographers","id":"THES380381"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2025PD7750","2024PA3015"],"imageResolution":"high","galleryLocations":[{"current":{"text":"96","id":"THES49697"},"free":"","case":"WE","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"2018","earliest":"2018-01-01","latest":"2018-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Courtesy of the artist and the gallery Anne-Laure Buffard","dimensions":[{"dimension":"Height","value":"48","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"33","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"48 x 33 cm","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Ilanit Illouz, titled 'Sol Salin I', 2018,  from the series 'Les Dolines', 2016-2023, print fossilised with salt.","bibliographicReferences":[],"production":"Print fossilised with salt","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This innovative photograph uses salt from the Dead Sea to fossilise the paper, creating a crystallised effect reminiscent of a lunar landscape. It reflects upon the economic, environmental and socio-political history of the Judean Desert. This geologically important area links back to 19th-century photography, as it is the site where Bitumen of Judea was extracted and used in early photographic experiments by Joseph Nicéphore Niépce.","date":{"text":"25/11/2025","earliest":"2025-11-25","latest":"2025-11-25"}}],"partNumbers":["PH.6-2025"],"accessionNumberNum":"6","accessionNumberPrefix":"PH","accessionYear":2025,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-05-07","recordCreationDate":"2024-11-13","availableToBook":false}}