{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1779156"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1779156/"}},"images":null,"see_also":null},"record":{"systemNumber":"O1779156","accessionNumber":"PH.1015-2024","objectType":"Photograph","titles":[{"title":"Daniel","type":"assigned by artist"},{"title":"South County, AL (A Hale County), 2012–14","type":"series title"}],"summaryDescription":"RaMell Ross has been photographing Hale County, Alabama, for more than a decade. His series South County, AL (A Hale County), presents an intimate portrait of Black communities living there now. To make the work, Ross integrated himself into the lives of his subjects, capturing their prosaic moments. This is fundamental: in Ross’s view, to ‘desegregate’ Southern photography—which has historically comprised the work of white photographers in a region with difficult racial histories—is as much about method as maker. The weight of history lies heavily on Ross’s subjects, many of whom he depicts in resting positions that ambiguously evoke peaceful repose, exhaustion or even violence.","physicalDescription":"Colour photograph of a man sitting on a bench, facing away from the camera.","artistMakerPerson":[{"name":{"text":"Ross, RaMell","id":"AUTH404425"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"Pigment print","id":"x37883"}],"materialsAndTechniques":"","categories":[{"text":"Photographic Studies","id":"THES283122"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":[],"imageResolution":"low","galleryLocations":[{"current":{"text":"100","id":"THES49934"},"free":"","case":"WE","shelf":"","box":""}],"partTypes":[[{"text":"Photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Alabama","id":"x29776"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"2014","earliest":"2014-01-01","latest":"2014-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"Purchase funded by the Photographs Acquisition Group","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by RaMell Ross, 'Daniel', archival pigment print, 2014\r","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<i>American Photographs</i> (V&A, June 2025 - May 2027)\n\nRaMell Ross (born 1982)\n<i><b>Dakesha and Marquise</b></i>\n2012\n<i><b>Daniel\n</b></i>2014\n<i><b>Columns</b></i>\n2013\n\nThese photographs represent an extended collaboration with the population of Hale County, Alabama, a site of deep significance in the history of American photography. Walker Evans worked there in the 1930s, documenting the lives of the white tenant farmers impoverished by the Great Depression. Ross chooses instead to work alongside Black residents in a form of reportage that refuses to impose meaning on his subjects. In doing so, he quietly subverts an established tradition of American documentary photography.\n\nArchival pigment prints\r\nMuseum nos. PH.1014 to 1016-2024\n\nPurchase funded by the V&amp;A Photographs Acquisition Group","date":{"text":"2025","earliest":"2025-01-01","latest":"2025-12-31"}}],"partNumbers":["PH.1015-2024"],"accessionNumberNum":"1015","accessionNumberPrefix":"PH","accessionYear":2024,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-17","recordCreationDate":"2024-05-02","availableToBook":false}}