{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1737520"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1737520/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2023NJ6991/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2023NJ6991/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2023NJ6991","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1737520","accessionNumber":"PH.241-2023","objectType":"photograph","titles":[{"title":"Ala kachuu (Bride kidnapping), Kyrgyzstan, 2019","type":""}],"summaryDescription":"Laia Abril is a research-based artist who uses photography,  text, video, and sound in her installations. Her work focuses on  gender rights, women’s healthcare and power structures. ‘A  History of Misogyny’, is a multi-chapter exploration into abortion  access, rape culture and the stigma surrounding hysteria and  women’s mental health. \r\n\r\n'On Rape' visualises the pervasion of rape in global society.  Spanning 2000 years, Abril's research brings together  historical archives, photographs, data, curated objects and  testimonials to evidence sexual violence, the systemic control of  women’s bodies and how institutional failure compounds these  issues. \r\n\r\nIn November 2022, the V&A hosted an exhibition of 'On  Rape and Institutional Failure' at the Copeland Gallery,  Peckham, London, as part of The Parasol Foundation  Women in Photography project.  Following the  exhibition's success, a number of works were  accessioned into the V&A's permanent collection of  Photography. ","physicalDescription":"A photograph of a wedding dress.","artistMakerPerson":[{"name":{"text":"Laia Abril","id":"AUTH387467"},"association":{"text":"Artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"","id":""},{"text":"","id":""}],"techniques":[],"materialsAndTechniques":"","categories":[{"text":"Woman photographer","id":"THES380381"},{"text":"Woman Artist","id":"THES387590"},{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"DOP","id":"THES291628"},"images":["2023NJ6991"],"imageResolution":"low","galleryLocations":[{"current":{"text":"514","id":"THES49549"},"free":"","case":"TR","shelf":"3","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[],"associatedObjects":[],"creditLine":"Acquired as part of The Parasol Foundation Women in Photography Project","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Testimony of  Alina, Kyrgyzstan. From the series 'On Rape, and Institutional Failure'\r\n\r\n\"I saw my husband for the first time on my wedding day. His friends drove me to him. I thought I wasn’t going to be able to handle it as I was furious with him, I loved another man and dreamed of becoming his wife. Instead I was forced to marry the man who had kidnapped me. At first, when I confronted him he was silent, then he apologised.\n\r\nMy sister had also been taken in the past but had run away. My religious ceremony [nike] was organised very quickly and officially registered immediately so that I couldn’t withdraw from it. Before that, I was a 21 year old student in my fourth year at Arabaev University. I wanted to be a fashion designer. During the holidays I went to visit my family. I didn’t want to stay alone in the residency, fearing I might suffer the same fate as my sister; so I travelled on New Year’s Eve. I remember happily baking the day before, then I went to visit my sister and on the way home I was ravished. When my family arrived at the kidnapper’s home, my mother wanted to bring me back but my grandmother asked me not to disgrace my family, especially after my sister had run away and people in the village had talked about it for a long time. I began crying, but my grandmother begged me to stay there.\n\r\nSo I did\"","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["PH.241-2023"],"accessionNumberNum":"241","accessionNumberPrefix":"PH","accessionYear":2023,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[""],"recordModificationDate":"2025-10-22","recordCreationDate":"2022-11-30","availableToBook":false}}