{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1736166"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1736166/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2024NV7557/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2024NV7557/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2024NV7557","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022NF1181","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1736166/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1736166","accessionNumber":"WE.7832-2014","objectType":"Anti-slavery medallion","titles":[],"summaryDescription":"The anti-slavery medallion design was based on the seal commissioned by the Society for Abolition of the Slave Trade and was sculpted in 1787, probably by William Hackwood, Wedgwood’s best modeller. Moulds were used in the Wedgwood factory to accurately reproduce the medallion, using two contrasting colours of jasper clay.\nWedgwood’s anti-slavery medallions became popular protest symbols. Abolitionists customised them into fashionable, wearable accessories such as buckles and hairpins. By making the medallions in his unique jasper clay Wedgwood was spreading awareness of his signature product to a wealthy audience, while contributing to a cause he believed in.","physicalDescription":"Round yellow jasper medallion with black relief of a kneeling enslaved figure with writing around the edge 'Am I Not a Man and a Brother?'","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Josiah Wedgwood and Sons","id":"A1450"},"association":{"text":"manufacturers","id":"AAT25230"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"Jasper ware","id":"x30174"}],"techniques":[],"materialsAndTechniques":"Jasperware with applied relief","categories":[{"text":"V&A Wedgwood Collection","id":"THES276060"},{"text":"Slavery & Abolitionism","id":"THES49008"}],"styles":[],"collectionCode":{"text":"WED","id":"THES270009"},"images":["2024NV7557","2022NF1181"],"imageResolution":"high","galleryLocations":[{"current":{"text":"118E","id":"THES49228"},"free":"","case":"CA3","shelf":"","box":"32"}],"partTypes":[[{"text":"medallion","id":"AAT77357"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Etruria","id":"x33200"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"1787","earliest":"1787-01-01","latest":"1787-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"V&A Wedgwood Collection. Presented by Art Fund with major support from the National Lottery Heritage Fund, private donations and a public appeal.","dimensions":[{"dimension":"Height","value":"32","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"30","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"WEDGWOOD'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"","historicalContext":"","briefDescription":"Anti-slavery medallion, yellow jasperware with black relief, Josiah Wedgwood & sons, Etruria, 1787","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Gallery text written June 2022:\n\n19.02 Anti-slavery medallions, about 1787, jasperware \nWedgwood’s anti-slavery medallions became popular protest symbols. Abolitionists customised them into fashionable, wearable accessories such as buckles and hairpins. By making the medallions in his unique jasper clay Wedgwood was spreading awareness of his signature product to a wealthy audience, while contributing to a cause he believed in. \n \nMuseum no. WE.7832-2014 and WE.7830-2014","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["WE.7832-2014"],"accessionNumberNum":"7832","accessionNumberPrefix":"WE","accessionYear":2014,"otherNumbers":[{"type":{"text":"Wedgwood Museum Accession number","id":"THES269972"},"number":"11679"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-06","recordCreationDate":"2022-11-28","availableToBook":false}}