{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O173245"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O173245/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2020MP7257/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2020MP7257/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2020MP7257","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2020MP7258","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JU2276","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false},{"assetRef":"2012FT8984","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2012FT8985","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BF6442","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O173245/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O173245","accessionNumber":"MISC.2:18-1934","objectType":"Lamp stand","titles":[],"summaryDescription":"The Omega Workshops were founded by the writer and critic Roger Fry, in 1913. They were based in London at 33 Fitzroy Square. Through the Workshops, Fry intended to promote appreciation of mass, colour and form, as seen in Post-Impressionist painting. He believed that the eye could be trained in these qualities through their use on everyday objects. The painted decoration on this lampstand, with its obvious interest in form and colour, is typical of the Omega Workshops' wider practice.\n\r\nThe six lamp stands were a bequest of Margaret Bulley, a friend of Vanessa Bell and an art historian, collector and curator at the Whitworth Museum. She owned a large number of Omega Workshops items such as lamps, fabrics and ceramics which are now in the V&A collection.\r\n","physicalDescription":"Wooden lamp stand, designed for an electric light. Turned and carved stand, shaped as a column with a flared octagonal finial, painted with striped and checked patterns in yellow, light blue and pink, with details in pale blue, navy and dark red. A hollow down the centre of the stand would have held the electric cord. ","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Omega Workshops","id":"A7158"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"wood","id":"AAT11914"},{"text":"paint","id":"AAT15029"},{"text":"metal","id":"AAT10900"}],"techniques":[{"text":"turning","id":"AAT53158"},{"text":"carving","id":"AAT53149"},{"text":"painting","id":"x30598"}],"materialsAndTechniques":"Turned, carved and painted wood","categories":[{"text":"Electrical appliance","id":"THES49024"},{"text":"Lighting","id":"THES48925"},{"text":"Woodwork","id":"THES48877"},{"text":"Household objects","id":"THES48939"}],"styles":[],"collectionCode":{"text":"FWK","id":"THES48597"},"images":["2020MP7257","2020MP7258","2017JU2276","2012FT8984","2012FT8985","2006BF6442"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES299176"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Lamp stand","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1913-1919","earliest":"1913-01-01","latest":"1919-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"w.19-2012","id":"O1259957"},"association":""},{"object":{"text":"w.18-2012","id":"O1259955"},"association":""},{"object":{"text":"Misc.2:18-1934","id":"O173245"},"association":""},{"object":{"text":"misc.2:16/1-1934","id":"O127552"},"association":""},{"object":{"text":"misc.2:16/2-1934","id":"O127552"},"association":""},{"object":{"text":"Misc.2:15/1-1934","id":"O173227"},"association":""},{"object":{"text":"Misc.2:15/2-1934","id":"O173227"},"association":""},{"object":{"text":"W.18-2012","id":"O1259955"},"association":"Set"},{"object":{"text":"MISC.2:15/1-1934","id":"O173227"},"association":"Set"},{"object":{"text":"MISC.2:16/1-1934","id":"O127552"},"association":"Set"},{"object":{"text":"MISC.2:17-1934","id":"O1137144"},"association":"Set"},{"object":{"text":"MISC.2:18-1934","id":"O173245"},"association":"Set"},{"object":{"text":"MA/1/A826/1","id":"ARC147131"},"association":"Archive record"}],"creditLine":"Given by Mrs Margaret H. Armitage (née Bulley)","dimensions":[{"dimension":"Width","value":"11.5","unit":"cm","qualifier":"base","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Also max width"},{"dimension":"Height","value":"50","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"2.1","unit":"cm","qualifier":"light-bulb fitting protruding from the stand","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Lamp stand made by the Omega Workshops.","historicalContext":"The Omega Workshops were founded by Roger Fry (1866–1934) in 1913 in order to promote appreciation of mass, colour and form, as seen in Post-Impressionist painting. Fry felt that decorative objects could be used to train the eye to appreciate these characteristics. \r\n\r\nThe Omega Workshops were based in Bloomsbury. Their premises at Fitzroy Square included both public showrooms and studios. Under the umbrella of the Omega Workshops, numerous artists produced a wide range of objects for the home, including painted furniture and furnishing textiles. Affiliates of the Workshop were salaried but were expected to spend only 3 days a week in the group studio and to devote the rest of their time to fine art projects. A number of leading British modernists produced work for the Omega Workshops, including Vanessa Bell (1879–1961), Duncan Grant (1885–1978) and Wyndham Lewis (1882–1957). All of the Workshops' output was anonymous, with artists sometimes using the omega symbol as a signature.  \r\n\r\nOmega workshops lamps sold from £1 and were composed of hand-painted card or silk shades and wooden stands either upcycled or made for the workshops. Although we cannot identify the person who painted and made this one, we do know some of the artists who were tasked with their decoration. The British designers and artists Winifred Gill (1891–1981), Nina Hamnett (1890–1956) and Jessie Etchells (1892–1933) along with other women of the workshops have been identified as some of the painters of both stands and shades.\r\nWhile the British writer and painter Wyndham Lewis and the Norwegian painter, designer and illustrator Roald Kristian (1893–date unknown) favoured human and animal subjects on the shades they decorated, Hubert Waley, a British artist who started working part-time for the Omega in 1915, preferred abstract patterns and multicoloured zigzags.\r\n\r\nThis lamp stand, one of six painted lamp stands in the V&A's collection, displays the Omega Workshops’ preoccupation with form and colour. It also shows an interest in the geometric shapes and stylised decoration found in the painted vernacular tradition.\r\n","briefDescription":"Lamp stand painted with geometric decoration, made by the Omega Workshops, English, 1913-1919.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Anscombe, Isabelle, John Lehmann, Howard Grey, Howard Grey, Thames and Hudson, and Omega Workshops. 1981. Omega and After : Bloomsbury and the Decorative Arts. London: Thames and Hudson."},{"reference":{"text":"","id":""},"details":"","free":"Collins, Judith, and Quentin Bell. 1983. The Omega Workshops. London: Secker & Warburg."},{"reference":{"text":"","id":""},"details":"","free":"LONDON, The Courtauld Gallery, Ed. Alexandra Gerstein.: Beyond Bloomsbury: Designs of the Omega Workshops 1913-1919 (London, 2009), p.147."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"geometric patterns","id":"AAT165213"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["MISC.2:18-1934"],"accessionNumberNum":"2","accessionNumberPrefix":"MISC","accessionYear":1934,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-01-19","recordCreationDate":"2008-11-21","availableToBook":false}}