{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O171914"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O171914/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EG3822/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EG3822/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EG3822","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2008BV2676","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2011FB2180","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O171914/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O171914","accessionNumber":"DYCE.364","objectType":"Stained glass design","titles":[{"title":"A Soldier Kneeling in Supplication Before a Mounted Military Leader, with Looting and Burning Buildings in the Background","type":"published title"}],"summaryDescription":"","physicalDescription":"Capture of a City; A commander of a captured city kneeling before his mounted conqueror; soldiers plundering and prisoners leaving burning houses in the distance; Possibly representing the King of Ai before Joshua (Joshua VIII, 23); Pen, and washed with Indian ink.","artistMakerPerson":[{"name":{"text":"Swart van Groningen, Jan","id":"AUTH333839"},"association":{"text":"artist","id":"AAT25103"},"note":"Previously attributed to school of Jan Swart"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"Ink","id":"AAT81180"},{"text":"Grey Wash","id":"x43741"},{"text":"Pen","id":"x47746"}],"techniques":[{"text":"drawing (image-making)","id":"AAT54196"},{"text":"wash technique","id":"AAT182748"}],"materialsAndTechniques":"Pen and black ink, with grey wash, over black chalk\r\n","categories":[{"text":"Drawings","id":"THES48966"},{"text":"Designs","id":"THES48968"},{"text":"Stained Glass","id":"THES48891"}],"styles":[{"text":"Netherlandish School","id":"x30980"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EG3822","2008BV2676","2011FB2180"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH","id":"THES49654"},"free":"","case":"DG","shelf":"26","box":"A"}],"partTypes":[[{"text":"Design for stained glass","id":"THES277590"}],[{"text":"Designs","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Netherlands","id":"x29020"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"c.1540","earliest":"1535-01-01","latest":"1544-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Rev. Alexander Dyce","dimensions":[{"dimension":"Height","value":"356","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"218","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Inscribed in brown ink: at lower left, with a false signature,<i> L: van Leyden</i>; and at lower right (with the museum’s Dyce inv. no.), <i>364</i>; ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"On verso, at lower left, in a sixteenth- or seventeenth-century(?) hand, in red chalk, <i>Swart</i> (?); above this, in graphite, <i>fw</i>, and in the same(?) hand, at lower centre, <i>81</i>. ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Inscribed on plain, old mount, at lower right, in a nineteenth-century hand, in pencil (with Dyce’s original inv. no.), <i>205</i>.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Rev. Alexander Dyce (1798–1869), London, by whom bequeathed to the museum (L. Suppl. 153b), 1869. The drawing was attributed to Hans Holbein by Dyce in the nineteenth century, it also has the false signature of Lucas van Leyden.","historicalContext":"","briefDescription":"Drawing, 'A Soldier Kneeling in Supplication Before a Mounted Military Leader, with Looting and Burning Buildings in the Background'; by Jan Swart van Groningen, Pen and black ink, with grey wash, over black chalk, Netherlandish School, c.1540","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>DYCE COLLECTION. A Catalogue of the Paintings, Miniatures, Drawings, Engravings, Rings and Miscellaneous Objects Bequeathed by The Reverend Alexander Dyce</u>. London : South Kensington Museum, 1874."},{"reference":{"text":"","id":""},"details":"","free":"Jane Shoaf Turner and Christopher White, <u>Catalogue of Dutch and Flemish Drawings in the Victoria and Albert Museum</u>, London, 2014, vol. I, Cat. 202, illus. p.243."}],"production":"","productionType":{"text":"Design","id":"THES48872"},"contentDescription":"","contentPlaces":[{"text":"Netherlands","id":"x29020"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"city","id":"AAT8389"},{"text":"prisoners","id":"AAT25933"},{"text":"commanding officers","id":"AAT236474"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Jan Swart was greatly influenced by the art he sawwhile travelling in Italy. The Italianate figures and naturalistic landscape share much with the work of Pieter Coecke van Aelst and other Antwerp artists who also worked in Italy. The subject of the drawing is probably an example of Roman justice, a popular subject for the decoration of public buildings in the Netherlands in the 16th century.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["DYCE.364"],"accessionNumberNum":"364","accessionNumberPrefix":"DYCE","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-19","recordCreationDate":"2008-11-07","availableToBook":false}}