{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O169096"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O169096/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2022NF4114/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2022NF4114/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2022NF4114","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022NF4115","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HX3352","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LK1700","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LX7748","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022NG4833","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022NG4838","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022NG4839","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022NG4840","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O169096/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O169096","accessionNumber":"7624-1861","objectType":"Relief","titles":[{"title":"Virgin and Child with Five Angels","type":"generic title"}],"summaryDescription":"This Virgin and Child group seems to depend on an early model by Donatello, possibly identifiable as a terracotta relief in the Bode-Museum, Berlin (inv. M 88) that is similar though not identical in composition. Certainly this relief was carved by a follower of Donatello, as its style and low-relief technique imitate Donatello. \n\r\nThe background of the relief is perforated (later plaster fills, added at some point after the sculpture entered the South Kensington Museum in 1861, were removed during conservation work ahead of the Donatello exhibitions in 2022-2023). The perforations may originally have been filled with mosaic tesserae, like those used on Donatello's Cantoria (Museo dell'Opera del Duomo, Florence) and on the external pulpit of Prato Cathedral. The Cantoria (1435-38) provides a point of reference for the present relief, but the advanced illusionistic scheme suggests that it was made after 1443, when Donatello transferred his studio to Padua. While there can be little doubt of Donatello's responsibility for the general design, which is recorded in other reliefs in marble, terracotta, stucco and cartapesta, this relief was very likely carved by a student or follower.\r\n\r\nDonatello (ca. 1386-1466) was an early Renaissance sculptor from Florence, who became well known for his low-relief works. He was among the most imaginative and versatile artists of the Renaissance, famous for his rendering of human character and for his dramatic narratives.","physicalDescription":"The Virgin is represented in full length seated diagonally on a cushion on a faldstool. The Virgin's right leg is drawn up, and her right foot is visible in the lower right corner. Her head is covered by a transparent veil and her hair is dressed with a broad ribbon. Her halo is carved with winged cherub heads. The Child is seated on her left thigh, with his legs extended. In the upper corner are two angels facing outwards and playing trumpets. The angels at the sides appear to hold cord-winders. At lower right is a crouching angel playing a double flute.","artistMakerPerson":[{"name":{"text":"Donatello","id":"A1979"},"association":{"text":"after","id":"THES283471"},"note":"after Donatello"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"marble","id":"AAT11443"}],"techniques":[{"text":"carving","id":"AAT53149"},{"text":"relief","id":"AAT53622"}],"materialsAndTechniques":"Marble, carved in shallow relief","categories":[{"text":"Christianity","id":"THES48978"},{"text":"Religion","id":"THES48900"},{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2022NF4114","2022NF4115","2015HX3352","2019LK1700","2019LX7748","2022NG4833","2022NG4838","2022NG4839","2022NG4840"],"imageResolution":"high","galleryLocations":[{"current":{"text":"002","id":"THES344460"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"relief","id":"AAT53622"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Florence","id":"x28848"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1450 - 1460","earliest":"1450-01-01","latest":"1460-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"100.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"80","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"132","unit":"kg","qualifier":"","date":{"text":"20/06/2022","earliest":"2022-06-20","latest":"2022-06-20"},"part":"","note":"Measured for the Donatello exhibition (Florence, Berlin, London 2022-23)"}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Marchese Giovanni Pietro Campana (1808-1880); purchased by the South Kensington Museum (now V&A) in 1861 from the Gigli-Campana Collection, £60.","historicalContext":"","briefDescription":"Relief, 'Virgin and Child with Five Angels', carved marble, after Donatello, Florence, ca. 1450-1460\r\n","bibliographicReferences":[{"reference":{"text":"Motture, Peta, ed., <u>Donatello: Sculpting the Renaissance</u>, London: V&A Publishing, 2023.","id":"AUTH394323"},"details":"cat. 1.24, p. 131, entry by Peta Motture","free":"Attribution: after Donatello"},{"reference":{"text":"","id":""},"details":"","free":"Bellosi, Luciano (ed.). <u>Francesco di Giorgio e il Rinascimento a Siena 1450-1500</u>. Exhibition Catalogue, Milan 1993, p. 181, ill. p. 178"},{"reference":{"text":"","id":""},"details":"","free":"Jolly, Anna. <u>Madonnas by Donatello and his Circle</u>. Phd Thesis, Cambrodge 1992, pp. 94-5, cat. 21.2 - pl. 34"},{"reference":{"text":"","id":""},"details":"","free":"Pope-Hennessy, John. <u>Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century</u>. London: Her Majesty's Stationery Office, 1964, pp. 80, 81"},{"reference":{"text":"","id":""},"details":"","free":"Maclagan, Eric and Longhurst, Margaret H. <u>Catalogue of Italian Sculpture. Text</u>. London: Victoria and Albert Museum, 1932, pp. 24, 25"},{"reference":{"text":"","id":""},"details":"","free":"Inventory of Art Objects Acquired in the Year 1861 <u>In</u>: <u>Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I</u>. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 19"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Virgin and Child","id":"N4691"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"veil","id":"AAT46128"},{"text":"cushion","id":"AAT236073"},{"text":"chair","id":"AAT37772"},{"text":"angels","id":"x30526"},{"text":"ribbon","id":"AAT14668"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This Virgin and Child group seems to depend on an early model by Donatello, possibly identifiable as a terracotta relief in the Bode-Museum, Berlin (inv. M 88) that is similar though not identical in composition. Certainly this relief was carved by a follower of Donatello, as its style and low-relief technique imitate Donatello. \n\r\nThe background of the relief is perforated (later plaster fills, added at some point after the sculpture entered the South Kensington Museum in 1861, were removed during conservation work ahead of the Donatello exhibitions in 2022-2023). The perforations may originally have been filled with mosaic tesserae, like those used on Donatello's Cantoria (Museo dell'Opera del Duomo, Florence) and on the external pulpit of Prato Cathedral. ","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["7624-1861"],"accessionNumberNum":"7624","accessionNumberPrefix":"","accessionYear":1861,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2022NF9860"],"recordModificationDate":"2025-04-19","recordCreationDate":"2008-10-09","availableToBook":false}}