{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O167220"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O167220/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009BY4606/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009BY4606/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2009BY4606","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY4609","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY4608","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009BY4607","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AD0508","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JU0100","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JU0101","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JU0118","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JU0136","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022ND1295","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022ND1296","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2022ND1297","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O167220/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O167220","accessionNumber":"7573-1861","objectType":"Group","titles":[{"title":"Seated Virgin and Child","type":"generic title"}],"summaryDescription":"The Virgin is shown embracing the Christ Child while seated on a folding chair, reflecting a throne. This image of mother and son is close to the style of Ghiberti’s workshop, where the young Donatello worked in about 1404–7. The lyrical sway of the Virgin reflects the graceful manner of the older master. Another similar group is in the Detroit Institute of Arts. Both groups are given by some scholars to the young Donatello.\r\n\r\n","physicalDescription":"The Virgin is represented seated on a throne or chair, which is set at an angle to the front plane of the base, with its left forward foot retracted and its right forward foot advanced. The four feet of the chair have the form of lion paws, the forward arms (of which only that on the left is preserved) are modelled in the form of a fir-cone, and the rear arms curve outwards and terminate in a scroll. At the point of juncture of the arms are bosses in the form of lion masks. The statuette is modelled with a flat back, excavated below the Virgin's shoulder's and beneath the seat. A broad horizontal strip between these two hollows is decorated with a diamond pattern, and perhaps represents the back of the throne or chair. The Virgin's knees conform to the front plane of the seat, and her right elbow rests on the rear arm. Her two hands meet on her lap, and her head is inclined slightly to her left towards the Child, who is represented with both arms round her neck pressing his head against her cheek. Her robe is drawn in by a tight girdle beneath the breasts, and is covered by a voluminous cloak with a  turndown collar embroidered with imitation Cufic and terminating in tassels. The robe is edged with a fringed border decorated with imitation Cufic; its end emerges between the feet of the seat on the right. The Child's thighs are covered with a cloth which falls over the Virgin's left hand.","artistMakerPerson":[{"name":{"text":"Donatello","id":"A1979"},"association":{"text":"possibly","id":"THES285217"},"note":"possibly Donatello"},{"name":{"text":"Florentine","id":"AUTH394726"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"terracotta","id":"AAT10669"}],"techniques":[],"materialsAndTechniques":"Terracotta","categories":[{"text":"Christianity","id":"THES48978"},{"text":"Religion","id":"THES48900"},{"text":"Sculpture","id":"THES48896"}],"styles":[{"text":"Florentine","id":"THES392442"}],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2009BY4606","2009BY4609","2009BY4608","2009BY4607","2006AD0508","2017JU0100","2017JU0101","2017JU0118","2017JU0136","2022ND1295","2022ND1296","2022ND1297"],"imageResolution":"high","galleryLocations":[{"current":{"text":"64A","id":"THES49095"},"free":"","case":"CA11","shelf":"","box":""}],"partTypes":[[{"text":"Group","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Florence","id":"x28848"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1415","earliest":"1410-01-01","latest":"1419-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"73","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"45.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"36.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"48.4 ","unit":"kg","qualifier":"","date":{"text":"25/01/2022","earliest":"2022-01-25","latest":"2022-01-25"},"part":"","note":""}],"dimensionsNote":"Measured for the Medieval and Renaissance Galleries\r\nWeighed for the Donatello Exhibition (Palazzo Strozzi, Staatlisches  Museen, V&A) 2022-2023\r\n","marksAndInscriptions":[],"objectHistory":"Purchased from the Gigli-Campana Collection.","historicalContext":"The group is most closely related to a Virgin and Child in the Detroit Institute of Arts.","briefDescription":"Group, 'Seated Virgin and Child', terracotta with traces of paint and gilding, Florentine, possibly Donatello, Italy, Florence, ca. 1415","bibliographicReferences":[{"reference":{"text":"Motture, Peta, ed., <u>Donatello: Sculpting the Renaissance</u>, London: V&A Publishing, 2023.","id":"AUTH394323"},"details":"cat. 1.3, p. 108, entry by Laura Chase and Peta Motture,","free":"Attribution: Florentine, possibly Donatello"},{"reference":{"text":"Rowley, Neville, ed., <u>Donatello: Inventor of the Renaissance</u>, Berlin: Staatliche Museen zu Berlin, 2022.","id":"AUTH394327"},"details":"cat. 6, p. 132, entry by Laura Cavazzini,","free":"Attribution: Donatello"},{"reference":{"text":"Caglioti, Francesco, ed., with Laura Cavazzini, Aldo Galli, and Neville Rowley. <u>Donatello: il Rinascimento</u>, Venice: Marsilio, 2022.","id":"AUTH394729"},"details":"cat. 2.2, pp. 124-125, entry by Laura Cavazzini,","free":"Attribution: Donatello "},{"reference":{"text":"","id":""},"details":"","free":"Boucher, Bruce. 'Italian Renaissance Terracotta: Artistic Revival or Technological Innovation. In: Boucher, Bruce, ed. <u>Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova</u>, 2001, p. 7 and p. 283, no. 18"},{"reference":{"text":"","id":""},"details":"","free":"Schulz Markham, Anne. <u>Nanni di Bartolo e il Portale di San Nicola a Tolentino</u>. Florence, 1997, pp. 89, fig XXIX (detail), p. 91"},{"reference":{"text":"","id":""},"details":"","free":"Diebel, William. <u>The Attribution Enigma Surrounding a Terracotta Madonna and Child at the Victoria and Albert Museum</u>, thesis for Christies Education, April, 1994"},{"reference":{"text":"","id":""},"details":"","free":"Jolly, Anna. 'A Nanni di Bartolo terracotta Madonna: an important rediscovery'. In: <u>Apollo</u>, March 1993, pp. 159-165"},{"reference":{"text":"","id":""},"details":"","free":"Gentilini, Giancarlo. ed. <u>I Della Robbia, La Scultura invetriata nel Rinascimento</u>. Florence: 1992, p. 152, notes 61"},{"reference":{"text":"","id":""},"details":"","free":"Jolly, Anna. <u>Madonnas by Donatello and his Circle</u>. Phd Thesis, Cambrodge 1992, cat. 59- pp. 148, 153, pl. 110"},{"reference":{"text":"","id":""},"details":"","free":"Joannides, Paul. 'Masaccio, Masolino and 'Minor' Sculpture'. In: <u>Paragone / Arte, September 1987, pp. 3-24"},{"reference":{"text":"","id":""},"details":"","free":"Passavant, G. 'Zu einigen toskanischen Terracotta-Madonnen der Frührenaissance', in: <u>Mitteilungen des Kunsthistorischen Institutes in Florenz</u>, XXXI, 1987, pp. 210-211"},{"reference":{"text":"","id":""},"details":"","free":"Darr, Alan, P. <u>Italian Renaissance Sculpture in the time of Donatello: an exhibition to commemorate the 600th anniversary of Donatello's birth and the 100th anniversary of the Detroit Institute of Arts </u>. Detroit Institute of Arts, Founders Society, 1985, pp. 106-108"},{"reference":{"text":"","id":""},"details":"","free":"Pope-Hennessy, John. <u>The Study and Criticism of Italian Sculpture</u>. New York, 1980, p. 68"},{"reference":{"text":"","id":""},"details":"","free":"Raggio, Olga. Catalogue of Italian Sculpture in the Victoria and Albert Museum. <u>Art Bulletin</u>. Vol. L, 1968, p. 100"},{"reference":{"text":"","id":""},"details":"","free":"Pope-Hennessy, John, assisted by Lightbown, Ronald. <u>Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century</u>. London: HMSO, 1964, vol.1, pp. 61-63, cat. no. 54"},{"reference":{"text":"","id":""},"details":"","free":"Maclagan, Eric and Longhurst, Margaret H. <u>Catalogue of Italian Sculpture. Text</u>. London: Victoria and Albert Museum, 1932, p. 14"},{"reference":{"text":"","id":""},"details":"","free":"Inventory of Art Objects Acquired in the Year 1861 <u>In</u>: <u>Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I</u>. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 19"}],"production":"The group is closest to the work of the Florentine sculptors Lorenzo Ghiberti (1378-1455) and the young Donatello (1385/86-1466), and to that of the painter, Massaccio (1401-1428), and must have been produced in a Florentine workshop in their circle.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Virgin and Child","id":"N4691"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This image of mother and son is close to the style of Ghiberti’s workshop, where the young Donatello worked in about 1404–7. The lyrical sway of the Virgin reflects the graceful manner of the older master.","date":{"text":"2009","earliest":"2009-01-01","latest":"2009-12-31"}},{"text":"The Virgin is shown embracing the Christ Child and seated on a throne in the form of a folding chair.\r\nThe group is most closely related to a Virgin and Child in the Detroit Institute of Arts. These terracottas are most closest stylistically to the work of the Florentine sculptors Lorenzo Ghiberti (1378-1455) and Donatello (about 1386-1466), and to that of the painter, Massaccio (1401-1428), and must have been produced in a Florentine workshop in their circle.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["7573-1861"],"accessionNumberNum":"7573","accessionNumberPrefix":"","accessionYear":1861,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LN7843","2019LU3762","2019LV1982"],"recordModificationDate":"2025-04-19","recordCreationDate":"2008-09-18","availableToBook":false}}