{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O166506"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O166506/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017JY2282/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017JY2282/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017JY2282","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA0370","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LY0813","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O166506/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O166506","accessionNumber":"7398-1860","objectType":"Statuette","titles":[{"title":"an Angel carrying a candlestick","type":"generic title"}],"summaryDescription":"Although it has been associated with Verrocchio, the figure relates more closely to the work of Benedetto da Majano (for instance the candle - bearing angels on the Altar of Santa Fina in the Collegiata at San Gimignano), and was perhaps made in the Majano workshop. There are holes in the back for the insertion of wings, in the head for a halo, and in the top for a candlestick for a metal pricket. Presumably the figure was originally painted, although drastic stripping has left no trace of colour or priming.","physicalDescription":"The angel, who is turned to the left, is represented kneeling on the left knee. He is clad in a voluminous robe with a turned down collar, over which he wears a cloak gathered up on his left side by a strap. On his right knee he supports the base of a candlestick. In the centre of his forehead is a jewel attached to a circlet which passes under his flowing hair.","artistMakerPerson":[{"name":{"text":"da Maiano, Benedetto","id":"A1968"},"association":{"text":"","id":""},"note":"possibly workshop of"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"terracotta","id":"AAT10669"}],"techniques":[],"materialsAndTechniques":"Terracotta","categories":[{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2017JY2282","2017KA0370","2019LY0813"],"imageResolution":"high","galleryLocations":[{"current":{"text":"002","id":"THES396192"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Statuette","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Florence","id":"x28848"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"last quarter 15th century","earliest":"1400-01-01","latest":"1500-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"45.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased in Florence","historicalContext":"","briefDescription":"Statuette, terracotta, possibly workshop of Benedetto da Majano, Florence, last quarter 15th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Inventory of Art Objects Acquired in the Year 1860. <u>In</u>: <u>Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I</u>. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 42"},{"reference":{"text":"","id":""},"details":"","free":"Maclagan, Eric and Longhurst, Margaret H. <u>Catalogue of Italian Sculpture. Text</u>. London: Victoria and Albert Museum, 1932, p. 64"},{"reference":{"text":"","id":""},"details":"","free":"Pope-Hennessy, John. <u>Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century</u>. London: Her Majesty's Stationery Office, 1964, p. 204,205"},{"reference":{"text":"","id":""},"details":"","free":"Darr, A.P. 'Verrocchio's legacy: Observations regarding his influence on Pietro Torrigiani and other Fiorentine sculptors'. In: Bule, S. and Darr, A.P. and Gioffredi, F.S., eds, <u>Verrocchio and late Quattrocento Italian Sculpture</u>. Florence, 1992, p. 135"}],"production":"the drapery style is Verrocchiesque","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"angel","id":"N5284"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"candlestick","id":"AAT37588"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Although it has been associated with Verrocchio, the figure relates more closely to the work of Benedetto da Majano (for instance the candle - bearing angels on the Altar of Santa Fina in the Collegiata at San Gimignano), and was perhaps made in the Majano workshop. There are holes in the back for the insertion of wings, in the head for a halo, and in the top for a candlestick for a metal pricket. Presumably the figure was originally painted, although drastic stripping has left no trace of colour or priming.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["7398-1860"],"accessionNumberNum":"7398","accessionNumberPrefix":"","accessionYear":1860,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-01-01","recordCreationDate":"2008-09-03","availableToBook":true}}